"Taavaan" by The Ways had its release date on May 31, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Taavaan only contains only one song in the album, we like to consider this song as a single. Taavaan is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Taavaan by The Ways having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Since You've Been Gone | King Raam | C Major | 1 | 8B | 100 BPM | ||
| Shabihe Yek Rouya | Daal Band | A Minor | 4 | 8A | 82 BPM | ||
| Moama | Rahim Yeganeh | E Minor | 3 | 9A | 90 BPM | ||
| Clapping | Mehdi Saki | A♭ Minor | 6 | 1A | 117 BPM | ||
| Beraghs | Safir, Otagh Band | B♭ Minor | 5 | 3A | 91 BPM | ||
| Shakh Be Shakh (feat. Sadegh) | The Ways, Sadegh | B Minor | 8 | 10A | 108 BPM | ||
| Eshgh Bazi | The Ways | A Minor | 7 | 8A | 110 BPM | ||
| Yadegari | The Ways | B♭ Minor | 5 | 3A | 140 BPM | ||
| Farda Soraghe Man Bia (feat. Mohsen Namjoo) | Ali Azimi, Mohsen Namjoo | B Minor | 5 | 10A | 67 BPM | ||
| Sigaro Terminal | Nasr | D♭ Minor | 1 | 12A | 109 BPM | ||
| Matarsak | Erfan Tahmasbi | F♯ Minor | 2 | 11A | 190 BPM | ||
| Farewell, Mother | Midnight Drips, Sadra Imanpour | C Major | 2 | 8B | 172 BPM | ||
| Majnoon | Kābin, Omid Nemati | G Major | 3 | 9B | 160 BPM | ||
| Mibinamet Dobareh | Kiosk | B Minor | 7 | 10A | 96 BPM | ||
| Eshghe 15 Salegi | Reza Yazdani | B♭ Major | 8 | 6B | 80 BPM | ||
| Afsoos | Homayoun Shajarian, Alireza Ghorbani, Mahyar Alizadeh | E Minor | 2 | 9A | 85 BPM | ||
| Daro Baz Kon | Zedbazi | B♭ Major | 5 | 6B | 76 BPM | ||
| Divaneh | Damahi | B Minor | 3 | 10A | 139 BPM | ||
| Ta Abad | Az Shanbe | G Minor | 8 | 6A | 95 BPM | ||
| Kabous | Arman Garshasbi | F♯ Minor | 7 | 11A | 150 BPM | ||
| Musighi Film | 127 | A Minor | 6 | 8A | 71 BPM | ||
| Mariz | Sina Hejazi | F♯ Minor | 6 | 11A | 149 BPM | ||
| The Hunter (Shekarchi) (feat. Esfand & Shara) | King Raam | E Minor | 6 | 9A | 124 BPM | ||
| In Majara - The Story | Pallett, Makan Ashgvari | G Minor | 3 | 6A | 179 BPM | ||
| Parvaze Tehran Shiraz | Daal Band | A Minor | 4 | 8A | 145 BPM |