"Wait" by Christian Marclay, Elliott Sharp had its release date on 2000. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Christian Marclay, Elliott Sharp's "High Noon" album is number 2 out of 8. On top of that, Switzerland appears to be the country where this track was created. Wait is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wait by Christian Marclay, Elliott Sharp to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Connection Natural Harmonies | LoArtMelo, Locrossova | D♭ Major | 0 | 3B | 153 BPM | ||
| Subterranean Refugees | Enea Panduri | C Major | 5 | 8B | 128 BPM | ||
| Ave Maria Gratia Plena Iesus | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| Backwards Melody | Baby Crys | F Minor | 0 | 4A | 116 BPM | ||
| History | Elliott Sharp, Christian Marclay | D Major | 10 | 10B | 129 BPM | ||
| HOMECHAS 021 | Taram Tula | B♭ Minor | 3 | 3A | 140 BPM | ||
| Elixir of the Eventide - The Night Doctor 3 (Live) 3/3 | Dr. Schemp | G Major | 0 | 9B | 97 BPM | ||
| Testo Coda | Anonima Talenti | B♭ Major | 0 | 6B | 72 BPM | ||
| Persepolis #6 | Iannis Xenakis | F♯ Minor | 9 | 11A | 168 BPM | ||
| Aquantach | Marina Frescobaldi | D Minor | 1 | 7A | 157 BPM | ||
| Classique: Bidule et un | Pierre Henry, Pierre Schaeffer | D Major | 4 | 10B | 81 BPM | ||
| Astral | Amyrak | D♭ Major | 1 | 3B | 115 BPM | ||
| Alienation | WBK | B Minor | 3 | 10A | 150 BPM | ||
| Putrid Delights And Other Treats Of The Skeptical Site | Prosody Burst | A Minor | 8 | 8A | 120 BPM | ||
| Fin del juego | sino music | A♭ Major | 6 | 4B | 98 BPM | ||
| Christian Wolff in Cambridge | Morton Feldman, Brandeis University Chamber Chorus, Alvin Lucier | F♯ Minor | 0 | 11A | 75 BPM | ||
| Symphony Of Wind | Valentina Goncharova | F Minor | 4 | 4A | 121 BPM | ||
| tope | La parca777 | C Major | 0 | 8B | 136 BPM | ||
| Exith the Game | Marina Frescobaldi | E♭ Major | 3 | 5B | 130 BPM | ||
| Why Is the Courtesy of the Prey Always Confused with the Courtesy of the Hunters... Pt. II | Merzbow, Keiji Haino, Balázs Pándi | A Major | 10 | 11B | 102 BPM | ||
| But When Are You Gonna Get Out of Here? | Michael Gelinas | B♭ Major | 3 | 6B | 82 BPM | ||
| Barefoot in Brooklyn | David Jacques | F♯ Major | 2 | 2B | 77 BPM | ||
| Detrás de la pared | joluli | C Minor | 2 | 5A | 184 BPM | ||
| Neutral | Christian Marclay | A♭ Major | 4 | 4B | 77 BPM | ||
| Ping Pong Polka | Christian Marclay, Guy Klucevsek | F Major | 4 | 7B | 91 BPM |