Michael Roberts's 'Across Floor #3' had a release date set for 2004. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Across Floor #3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Original Music For Modern Dance Class". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Based on our statistics, Across Floor #3's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Across Floor #3 by Michael Roberts having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Allegro III-Combination With Stop Time: Center Floor Technique | David Howard, Joe Cross | C Minor | 3 | 5A | 102 BPM | ||
| Pliés: Tall Ships | Gill Civil | D Major | 2 | 10B | 105 BPM | ||
| Matityahu First, Vol 2 | Mathews Nigel | C Minor | 2 | 5A | 88 BPM | ||
| Plie 2│4 | Марина Горячева | A♭ Major | 3 | 4B | 105 BPM | ||
| Rondé Jambe | Adrienne Ramm | E♭ Major | 3 | 5B | 110 BPM | ||
| Adagio Ⅱ 3/4 (Serenade for Strings op.48) | Eun S. Kim | E♭ Major | 1 | 5B | 105 BPM | ||
| Plies #1 | Michael Roberts | C Minor | 2 | 5A | 81 BPM | ||
| Battement fondu 1 3x4 | Jorge L. Martínez | C Major | 2 | 8B | 76 BPM | ||
| Pliés (F. Chopin Op.9 No.2) | Youngsin Sarah Choi | E♭ Major | 1 | 5B | 98 BPM | ||
| Battements tendus [Faster] | Xavier-Edouard Horemans | E♭ Major | 1 | 5B | 89 BPM | ||
| Slow Battement Tendu Dream a Little Dream | Matthew J Gregory | G Major | 2 | 9B | 96 BPM | ||
| Pliés 1 3/4 | Jorge L. Martínez | D Major | 1 | 10B | 95 BPM | ||
| Can't Help Falling in Love / Stay with Me (Warmup) | Charles Mathews | C Major | 1 | 8B | 111 BPM | ||
| Grand Allegro Carousel Waltz | Akiko Hobson | F Major | 2 | 7B | 90 BPM | ||
| Facing the Barre (Contiguous, No Repeat) 3/4 [64], 2/4 [64], 6/8 [16] | Tatyana Grigoryants | F Major | 3 | 7B | 74 BPM | ||
| Battement Degage. Fast 2/4, 64 Measures, 16-8's | Finis Jhung & Bill Brown | E♭ Major | 2 | 5B | 122 BPM | ||
| Pliés | 최선경 | G Major | 2 | 9B | 112 BPM | ||
| Pleadings | Kevin Sport | D Minor | 5 | 7A | 144 BPM | ||
| Plies Lyrical 3/4 | Debbi Parks | G Major | 0 | 9B | 98 BPM | ||
| Stretch/Adagio: Barre Technique | David Howard, Joe Cross | E♭ Major | 2 | 5B | 112 BPM | ||
| Adagio | Adrienne Ramm | D Major | 2 | 10B | 110 BPM | ||
| Warm up in C- Major | Konstantin Mortensen | E♭ Major | 1 | 5B | 78 BPM | ||
| Audition (The Fools Who Dream) (Plies, 64c) | Sunkyung Choi | F Major | 2 | 7B | 116 BPM | ||
| The Prayer | Kristen Brantly, Adam Kirkpatrick, Michael Roberts, Ben Wadsworth, Ed Eanes, Christopher Hofer | D Major | 3 | 10B | 87 BPM | ||
| Adagio | SuYeon Park | F Major | 0 | 7B | 109 BPM |