"Until the Day Breaks" by Misty Edwards had its release date on December 5, 2003. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 2 out of 12 in Eternity by Misty Edwards. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Until the Day Breaks's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Until the Day Breaks by Misty Edwards is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Made a Way | Matt Gilman | D Major | 4 | 10B | 136 BPM | ||
| Fall Afresh | Bethel Music, Jeremy Riddle | B Major | 5 | 1B | 137 BPM | ||
| The More I Seek You | Klaus, Kari Jobe | G Major | 1 | 9B | 124 BPM | ||
| Consuming Fire | Tim Hughes | D Major | 4 | 10B | 150 BPM | ||
| All My Worship (feat. Catherine Mullins) | Ramp Worship, Catherine Mullins | D Major | 3 | 10B | 81 BPM | ||
| Raise My Voice | Robbie Seay Band | B Major | 7 | 1B | 170 BPM | ||
| How Great the Love | The Village Church, Jennifer Holm | F♯ Minor | 5 | 11A | 152 BPM | ||
| Man from Nazareth | Luke Wood, Misty Edwards | F Major | 4 | 7B | 72 BPM | ||
| All Over Again | Catherine Mullins | F Major | 2 | 7B | 124 BPM | ||
| Cover Me | Laura Hackett Park | A♭ Major | 2 | 4B | 110 BPM | ||
| Throne Room Song | People & Songs, May Angeles, Ryan Kennedy, The Emerging Sound | A♭ Major | 5 | 4B | 105 BPM | ||
| Which Way | Andrew Ehrenzeller | G Major | 4 | 9B | 122 BPM | ||
| Glory Come Down | Derek Johnson | D Major | 4 | 10B | 128 BPM | ||
| No Shadow | Fresh Life Worship | E Major | 5 | 12B | 132 BPM | ||
| To Know You (Jesus Messiah) | Zachary Kale | E♭ Major | 6 | 5B | 138 BPM | ||
| Resurrection Power | Kelanie Gloeckler | F Major | 4 | 7B | 138 BPM | ||
| Bridegroom, King & Judge (feat. Misty Edwards) | Pablo Perez, Misty Edwards | F Minor | 5 | 4A | 116 BPM | ||
| Arms Wide Open (Live) | Misty Edwards | D Major | 4 | 10B | 120 BPM | ||
| Fairer Than the Sons of Men | Jon Thurlow | B♭ Major | 4 | 6B | 117 BPM | ||
| Come as Close as You Want (Live) | Misty Edwards | A Major | 5 | 11B | 132 BPM | ||
| Keep Me Close (Onething 2012 Version) [Live] | Tim Reimherr | C Major | 7 | 8B | 134 BPM | ||
| Satisfy | WorshipMob | G Major | 3 | 9B | 129 BPM | ||
| Always on His Mind | Misty Edwards | G Minor | 6 | 6A | 84 BPM | ||
| People Get Ready | Misty Edwards | G Minor | 6 | 6A | 84 BPM | ||
| Above All Else - Yesterday, Today And Forever Album Version | Vicky Beeching | D Major | 3 | 10B | 96 BPM |