Rudolf Schock's 'Der Lenz' had a release date set for February 28, 2023. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Rudolf Schock; Einfach das beste, Vol. 2". In this album, this song's track order is #7. Der Lenz is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Lenz by Rudolf Schock having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berliner Luft | Johannes Kalpers | B♭ Major | 8 | 6B | 123 BPM | ||
| Im weißen Rössl am Wolfgangsee | Ralph Benatzky, Rudolf Schock, Ingeborg Hallstein, Johannes Fehring | G Major | 4 | 9B | 79 BPM | ||
| Der Zigeunerbaron, Operetta in 3 Acts: Ja, das alles auf Ehr' | Johann Strauss II, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | C Major | 3 | 8B | 179 BPM | ||
| Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
| Serenade | Rudolf Schock | A♭ Major | 3 | 4B | 167 BPM | ||
| Hänsel und Gretel, Act II: Abends will ich schlafen gehn (Hänsel, Gretel) | Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| La Sonnambula / Act 1: Vi ravviso, o luoghi ameni | Vincenzo Bellini, Nicolai Ghiaurov, Isobel Buchanan, Luciano Pavarotti, Della Jones, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 3 | 4B | 138 BPM | ||
| Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
| Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
| Wenn die Glocken hell erklingen | Lys Assia | D Major | 2 | 10B | 117 BPM | ||
| Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
| Giordano: Andrea Chénier, Act I: "O pastorelle, addio!" | Umberto Giordano, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | A Major | 0 | 11B | 137 BPM | ||
| Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
| Gräfin Mariza - Operetta in 3 Acts: Ich möchte träumen | Emmerich Kálmán, Rita Bartos, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | F Minor | 3 | 4A | 76 BPM | ||
| Wagner: Tannhäuser, Act 2: "O Himmel! Laß dich jetzt erflehen!" (Wolfram, Tannhäuser) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | A Minor | 1 | 8A | 99 BPM | ||
| Don Giovanni, K. 527, Act I: No. 4, Madamina "Catalogue Aria" | Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | D Major | 2 | 10B | 117 BPM | ||
| Schwarzwaldmädel · Operette in drei Akten (Querschnitt in der Originalinstrumentierung) (2002 Digital Remaster), Zweiter Akt: - Alle Werden Sie Sich Drehen - Erklingen Zum Tanze Die Geigen (Bärbele, Römer) | Leon Jessel, Kurt Böhme, Erika Köth, Jürgen Förster, Christine Görner, Heinz Hoppe, Symphonieorchester Graunke, Cornelius Eberhardt, Harry Friedauer, Chor des Theaters am Gärtnerplatz, München, Willy Mattes | A Major | 2 | 11B | 84 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Das Loreleylied (Ich weiß nicht was soll es bedeuten) | Johannes Kalpers | D♭ Major | 5 | 3B | 121 BPM | ||
| Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | ||
| Schön ist die Welt | Rudolf Schock | F Major | 4 | 7B | 76 BPM | ||
| Schütt' die Sorgen in ein Gläschen Wein | Willy Schneider | B♭ Major | 3 | 6B | 84 BPM | ||
| Komm in die Gondel (From "Eine Nacht in Venedig") | Johann Strauss II, Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker | C Major | 2 | 8B | 72 BPM | ||
| Sah ein Knab ein Röslein stehn (Heideröslein) | Menskes Chöre | F♯ Major | 2 | 2B | 109 BPM | ||
| Tannhäuser: Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 168 BPM |