"Let Justice Be Done" by Rachel Portman had its release date on May 19, 2014. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Let Justice Be Done's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 23 in Belle (Original Motion Picture Soundtrack) by Rachel Portman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Let Justice Be Done is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Let Justice Be Done by Rachel Portman is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Impossible End Titles | Fernando Velázquez | G Major | 1 | 9B | 179 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Sunset of Heaven | Ernesto Vallini, Neon Lilith, Whine Anterstain, Metasymphony | D♭ Minor | 1 | 12A | 90 BPM | ||
| Orison For The Wild Beyond | Joseph R Dolan, Ghibli | C Major | 2 | 8B | 120 BPM | ||
| Sabine | Peter Gregson | C Minor | 0 | 5A | 90 BPM | ||
| The Task Ahead | Peter Gregson | A♭ Major | 1 | 4B | 111 BPM | ||
| A New Day Beckons | Antony Partos | B Minor | 1 | 10A | 88 BPM | ||
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM | ||
| Drawing Pooh | Carter Burwell | A Minor | 2 | 8A | 93 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| Ray of Sunshine | Torin Borrowdale | E♭ Major | 0 | 5B | 92 BPM | ||
| Princesa de Portugal | Federico Jusid, Orquesta Sinfónica de Radiotelevisión Española (RTVE), Coro de Radiotelevisión Española (RTVE) | A Minor | 1 | 8A | 114 BPM | ||
| We Have Hope - Amazing Grace Original Score | David Arnold | E Minor | 2 | 9A | 111 BPM | ||
| The Homecoming | George Fenton | C Major | 1 | 8B | 107 BPM | ||
| Persephone Returns to the Castle | James Schafer | D Major | 0 | 10B | 80 BPM | ||
| Prelude - Testament of Youth | Max Richter | C Minor | 0 | 5A | 93 BPM | ||
| Bridget | Rachel Portman | E Minor | 0 | 9A | 133 BPM | ||
| Finale | Paul Cantelon | D Minor | 2 | 7A | 81 BPM | ||
| Death Is Only A Door | Tom Tykwer, Johnny Klimek, Reinhold Heil, MDR Rundfunkchor, MDR Leipzig Radio Symphony Orchestra, Kristjan Järvi | D Major | 0 | 10B | 80 BPM | ||
| The Crypt (Part 1) | Abel Korzeniowski | E Minor | 1 | 9A | 78 BPM | ||
| Leaving London - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas, Jonathan Snowdon, Robert Hill, Richard Morgan | G Minor | 1 | 6A | 80 BPM | ||
| I Have No One Else to Ask | Nico Muhly | G Minor | 1 | 6A | 79 BPM | ||
| White Roses of Scotland | Bear McCreary | A Minor | 1 | 8A | 72 BPM |