On June 5, 2020, the song "The Haunted Ocean 5" was released by Max Richter. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Waltz With Bashir (Original Motion Picture Soundtrack) by Max Richter. The song's track number on the album is #19 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, The Haunted Ocean 5's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since The Haunted Ocean 5 by Max Richter has a tempo of 156 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Haunted Ocean 5 being at 156 BPM, the half-time would be 78 BPM with a double-time of 312 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Title / The Trenches | Angelo Badalamenti | E Minor | 1 | 9A | 70 BPM | ||
| Opening | Philip Glass, Bruce Brubaker | C Minor | 0 | 5A | 76 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Threnody | Goldmund | D Major | 0 | 10B | 71 BPM | ||
| Home, Pt. II | Armand Amar | D♭ Minor | 1 | 12A | 92 BPM | ||
| Triangle | Maxence Cyrin | F Minor | 2 | 4A | 95 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| Los Vestidos Desgarrados | Alberto Iglesias | C Minor | 3 | 5A | 105 BPM | ||
| Gnossienne No. 3 | Lavinia Meijer | A Minor | 0 | 8A | 76 BPM | ||
| Floating / Sinking | Peter Broderick | A Minor | 1 | 8A | 89 BPM | ||
| Clouds, The Mind on the (Re)Wind | Ezio Bosso | D Minor | 2 | 7A | 100 BPM | ||
| Fix You | Denis Christ, DEUX | F Minor | 3 | 4A | 115 BPM | ||
| Hammers | Nils Frahm | B♭ Minor | 5 | 3A | 136 BPM | ||
| 1.4 Sarabande | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | G Major | 2 | 9B | 144 BPM | ||
| La Papeleta | Reino De Fuego | A♭ Minor | 2 | 1A | 130 BPM | ||
| Your Lunar Way | Federico Albanese | D♭ Major | 3 | 3B | 157 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| A Tale | Javier Navarrete | A Minor | 0 | 8A | 70 BPM | ||
| The Blue Hour | Federico Albanese | B♭ Minor | 1 | 3A | 85 BPM | ||
| Olive Opening (From "Olive Kitteridge") | Brussells Philharmonic, Dirk Brossé | C Major | 0 | 8B | 75 BPM | ||
| Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM | ||
| Pärt: Spiegel im Spiegel (Excerpt) | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 82 BPM | ||
| David Melrose Theme | Hauschka | D Minor | 0 | 7A | 148 BPM | ||
| Cold Wind Var. 1 - Day 2 | Ludovico Einaudi, Federico Mecozzi, Redi Hasa | F Major | 1 | 7B | 80 BPM | ||
| Silouan's Song | Arvo Pärt, Tõnu Kaljuste, Tallinn Chamber Orchestra | F Minor | 0 | 4A | 88 BPM |