"The Turbine Sequence" by Paul Haslinger had its release date on 2017. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. The Turbine Sequence's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Resident Evil: The Final Chapter (Original Soundtrack Album)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The Turbine Sequence is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Turbine Sequence by Paul Haslinger having a BPM of 50 with a half-time of 25 BPM and a double-time of 100 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Empty Rooms | Paul Haslinger | G Major | 0 | 9B | 116 BPM | ||
| Strangers and Autolabors | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| Hacking / Cutting | Ben Salisbury, Geoff Barrow | D♭ Minor | 1 | 12A | 135 BPM | ||
| Negative Pressure Test | Steve Jablonsky | B♭ Major | 4 | 6B | 120 BPM | ||
| Colony | Harry Gregson-Williams | A Minor | 5 | 8A | 89 BPM | ||
| Reap & Sow | Harry Gregson-Williams | C Minor | 1 | 5A | 160 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| Wear Your Seat Belt | Cliff Martinez | F♯ Minor | 2 | 11A | 180 BPM | ||
| Inner Planets | Anže Rozman, Andrew Christie | A Major | 1 | 11B | 72 BPM | ||
| Is That What Everybody Wants | Cliff Martinez | A Minor | 2 | 8A | 144 BPM | ||
| Journey To Saturn | Anže Rozman, Andrew Christie | B Minor | 3 | 10A | 118 BPM | ||
| Hotel Mira | Adam Peters | C Major | 1 | 8B | 93 BPM | ||
| Concurrent Reality | Lovett | D♭ Minor | 4 | 12A | 192 BPM | ||
| Grab the Gun and Go | Daniel L.K. Caldwell | E Minor | 0 | 9A | 68 BPM | ||
| The Queen's Lair | Daniel L.K. Caldwell | B♭ Major | 1 | 6B | 67 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Absortio | Jon Opstad, Paul Haslinger, Danny Cocke | D♭ Minor | 4 | 12A | 175 BPM | ||
| Waltz II | Paul Haslinger | G Minor | 0 | 6A | 74 BPM | ||
| Came Here To Die | Lovett | G Major | 0 | 9B | 133 BPM | ||
| Run Grey Run | Jed Palmer | D♭ Minor | 4 | 12A | 180 BPM | ||
| Variables | Lovett | D Minor | 3 | 7A | 135 BPM | ||
| 1.0_3-fucksociety.mp3 | Mac Quayle | D♭ Major | 4 | 3B | 112 BPM | ||
| Irrevocable | Atli Örvarsson | D♭ Major | 2 | 3B | 79 BPM | ||
| Spotting Movement | Harry Gregson-Williams | D♭ Major | 0 | 3B | 130 BPM | ||
| The Wisdom Of Light | OGRE Sound | C Minor | 0 | 5A | 81 BPM |