Santosh Lama, Rajina Rimal's 'Timi Roopki Sundari Hau' had a release date set for February 13, 2015. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Shambhujeet Baskota's "Malai Man Paryo (Original Motion Picture Soundtrack)" album is number 4 out of 4. On top of that, Nepal appears to be the country where this track was created. In terms of popularity, Timi Roopki Sundari Hau is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Timi Roopki Sundari Hau by Santosh Lama, Rajina Rimal to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shundori Konnya | Emon Chowdhury, Xefer | F Minor | 3 | 4A | 140 BPM | ||
| Pinjada | Rajkumar Bagar, Santosh Lama | B Minor | 7 | 10A | 94 BPM | ||
| Sanu Dai | Prakash Dutraj, Gayatri Rana Magar | F Major | 5 | 7B | 75 BPM | ||
| Ekai Chhin Ma | Santosh Lama | G Major | 8 | 9B | 135 BPM | ||
| Aa Bata Aama Title Song (From "Aa Bata Aama") | Ravi Oad, Babul Giri | C Major | 5 | 8B | 145 BPM | ||
| Soltini Kya Ramri | Sunil Giri | C Major | 5 | 8B | 102 BPM | ||
| Assem Lemanna | Chandra Kr. Patgiri, Dalimi Kuli | A♭ Major | 6 | 4B | 76 BPM | ||
| Galli | Yash Kumar | B Major | 4 | 1B | 73 BPM | ||
| Kinnauri Melodic | Paras Negi, Sahil Negi | F♯ Major | 7 | 2B | 90 BPM | ||
| Na Ja Tu Chhod Ke | Wowwai Music, Arrjun pandey | E♭ Minor | 4 | 2A | 100 BPM | ||
| Pahadi Fusion | Poonam Bhardwaj, Navneet Rana | A Major | 8 | 11B | 160 BPM | ||
| Langma Swlaijakma Hai | Manik Debbarma, Sadhana Reang | A Major | 2 | 11B | 96 BPM | ||
| Tadha Tadha Jadaichhu Aaja | Yash Kumar | B♭ Minor | 6 | 3A | 80 BPM | ||
| Chaidain Timro Maya | Pramod Kharel | F♯ Minor | 7 | 11A | 82 BPM | ||
| Pahilo Premko | Swaroop Raj Acharya, Rajina Rimal | D♭ Major | 3 | 3B | 136 BPM | ||
| Lekali Bhegaima | Sunil Giri | F Minor | 6 | 4A | 76 BPM | ||
| मैले बोल्ने यो बोलीमा VOL - 2 | Nepali Blues Radio | A Major | 2 | 11B | 96 BPM | ||
| Tera Hona | Xd Ego | A♭ Major | 5 | 4B | 77 BPM | ||
| Preet Basyo (Maya Nai Kafi Xa 2) | Kamal Khatri, Melina Mainali | C Major | 5 | 8B | 84 BPM | ||
| Maya Ka Kura | Urgen Dong | G Major | 5 | 9B | 100 BPM | ||
| Tato Pani Khau | Tika Prasain, Kali Prasad Baskota | F♯ Major | 8 | 2B | 80 BPM | ||
| Timilai Ke Thaha Sanu (From "Maijharo") | Asmita Adhikari, Anmol Gurung, Sonam Ongmu Ethenpa | E Major | 6 | 12B | 170 BPM | ||
| Jyanai Jahos Baru | Santosh Lama | G Major | 7 | 9B | 80 BPM | ||
| Samjhana Ko Sarangi (From "Sanrakshan") | Swaroop Raj Acharya, Pravesh Mallick | E♭ Major | 4 | 5B | 180 BPM | ||
| Nono Wansuk - Live | Shingli Jamatia, Parmita Reang | F Major | 5 | 7B | 95 BPM |