"Postlude - The Bay" by Ingram Marshall had its release date on 1991. This song appears to be safe for all ages as it is not explicit. The song is number 10 out of 10 in Alcatraz: Ingram Marshall by Ingram Marshall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Postlude - The Bay is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Postlude - The Bay by Ingram Marshall is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Circular | Hildur Guðnadóttir | D Major | 0 | 10B | 71 BPM | ||
| Love | Mica Levi | D Minor | 2 | 7A | 64 BPM | ||
| Miniature No. 13 | Jette Mogensen | A Minor | 3 | 8A | 138 BPM | ||
| Prospectors Arrive | Jonny Greenwood | F Minor | 2 | 4A | 66 BPM | ||
| Shaker Loops: A Final Shaking (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 72 BPM | ||
| Deus Version 1 | Andrey Dergachev | E Minor | 2 | 9A | 91 BPM | ||
| Triadic Memories: I | Morton Feldman, Helena Basilova | A♭ Major | 0 | 4B | 160 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Shaker Loops: Hymning Slews (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Rave, Part 1 | Ingram Marshall | B♭ Minor | 4 | 3A | 111 BPM | ||
| Eir's Solitude | Jeremy Soule | C Major | 0 | 8B | 128 BPM | ||
| Unveiled | Hildur Guðnadóttir, Skúli Sverrisson, Guðni Franzson | A Minor | 0 | 8A | 94 BPM | ||
| EMBODY IT | Anica Popovic | C Major | 0 | 8B | 128 BPM | ||
| Time Hole | Jonny Greenwood | F♯ Major | 0 | 2B | 111 BPM | ||
| The Eroding (Fairytale Music) | Marcus Fjellström | C Minor | 6 | 5A | 130 BPM | ||
| Why Patterns? | Morton Feldman | F♯ Major | 0 | 2B | 72 BPM | ||
| Vibrabach | Marina Frescobaldi | D Major | 4 | 10B | 164 BPM | ||
| Always behind you IV | Ruthlesskid | B♭ Minor | 9 | 3A | 91 BPM | ||
| There's A Game On | Warren Ellis | B♭ Major | 2 | 6B | 138 BPM | ||
| Penderecki: Threnody for the Victims of Hiroshima | Krzysztof Penderecki, Jonny Greenwood, AUKSO Orchestra | F Minor | 2 | 4A | 85 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Passacaglia - Allegro moderato | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 0 | 9B | 70 BPM | ||
| The Carpathians | Ben Frost | C Minor | 4 | 5A | 81 BPM | ||
| Dream (1948) | John Cage, Stephen Drury | E♭ Major | 0 | 5B | 140 BPM | ||
| Crossing the Sands | Pauline Oliveros | A Major | 1 | 11B | 78 BPM |