"Coming To" by Aaron May, David Ridley, Claudia Jolly had its release date on May 5, 2023. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Aaron May, David Ridley's "Malpractice (Original Television Soundtrack)" album is number 7 out of 18. Based on our statistics, Coming To's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Coming To by Aaron May, David Ridley, Claudia Jolly to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Born To Lose | Soap&Skin | A Major | 1 | 11B | 113 BPM | ||
| Come Here You Little | Aaron May, David Ridley | A Minor | 1 | 8A | 109 BPM | ||
| What Power Art Thou I | Martina Eisenreich, Andreas Scholl, B'Rock Orchestra | F♯ Major | 3 | 2B | 95 BPM | ||
| Dialing In | Thom Yorke | E♭ Major | 2 | 5B | 99 BPM | ||
| Cross | Ted Regklis | F Minor | 3 | 4A | 134 BPM | ||
| Birth | Lisa Gerrard | A Minor | 2 | 8A | 78 BPM | ||
| We Will Run | Emilie Gassin, Ben Violet, Paper Plane | C Major | 2 | 8B | 77 BPM | ||
| Alone | Aaron May, David Ridley | A Minor | 0 | 8A | 68 BPM | ||
| Laylaye | Karzan Mahmood, Raha Yousefi | D Major | 1 | 10B | 96 BPM | ||
| Barnes | jung jaeil | C Major | 0 | 8B | 75 BPM | ||
| The Siren Calls | Michael Abels | E Minor | 2 | 9A | 134 BPM | ||
| Les montagnes | Dom La Nena | A Minor | 3 | 8A | 170 BPM | ||
| The Pool | Johannes Ringen | F Minor | 1 | 4A | 120 BPM | ||
| Pensando a Bellini | Paolo Buonvino, Rossella Ruini | A Minor | 2 | 8A | 82 BPM | ||
| Martian's Piano Theme | Emilie Levienaise-Farrouch | D Major | 2 | 10B | 100 BPM | ||
| A Dawning | Ólafur Arnalds, Talos | A♭ Major | 1 | 4B | 97 BPM | ||
| Overture (Bus) | Daniel Blumberg | A Minor | 4 | 8A | 126 BPM | ||
| Hacking | Bryce Dessner | D♭ Major | 1 | 3B | 82 BPM | ||
| Úrsula Vuelve | Camilo Sanabria | C Minor | 1 | 5A | 117 BPM | ||
| Sucked In | Ted Regklis | F Minor | 3 | 4A | 134 BPM | ||
| This Is Not an Ouverture | Justine Bourgeus, Hannes De Maeyer | F Major | 2 | 7B | 136 BPM | ||
| Daimonas | Ted Regklis | F Minor | 3 | 4A | 134 BPM | ||
| I'm Not Alone | Lorenzo Esposito Fornasari, Lisa Gerrard, Erica Piccotti | C Major | 4 | 8B | 125 BPM | ||
| Sleepwalking | Craig Wedren, Anna Waronker | F Major | 2 | 7B | 126 BPM | ||
| Ice Rink Epiphany | Bryce Dessner | D♭ Major | 1 | 3B | 90 BPM |