"Farewell to Rome - Extended Version" by Miklós Rózsa had its release date on January 29, 1960. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Farewell to Rome - Extended Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Farewell to Rome - Extended Version by Miklós Rózsa is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2 Pieces for Strings from Henry V: No. 1, Passacaglia. Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| The Codes of Dinotopia | Trevor Jones | D Major | 3 | 10B | 116 BPM | ||
| Life of Yesterday | Paolo MIllon, Neon Lilith, Tommy F Besson, Metasymphony | G Minor | 2 | 6A | 108 BPM | ||
| Mother is Back | Maurizio Malagnini | A Minor | 3 | 8A | 150 BPM | ||
| Healing the Leper | Roque Baños | G Major | 0 | 9B | 86 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| Assassination - Star Trek VI/Soundtrack Version | Cliff Eidelman | G Major | 0 | 9B | 68 BPM | ||
| Into the Starscape | Craig Safan | E♭ Major | 2 | 5B | 113 BPM | ||
| This Too Shall Pass | Matthew J Webster, The Budapest Scoring Orchestra | F Minor | 3 | 4A | 150 BPM | ||
| The Godfather: Sicilian Pastorale | Nino Rota, Royal Philharmonic Orchestra, José Serebrier | B♭ Minor | 0 | 3A | 112 BPM | ||
| Banquet | Naoki”naotyu-”Chiba | A♭ Major | 1 | 4B | 69 BPM | ||
| Follow That Nun | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| Bajor / Jake / Saying Goodbye | Dennis McCarthy | D Minor | 1 | 7A | 92 BPM | ||
| Sencillamente Espectacular | Hasta El Final | G Major | 2 | 9B | 97 BPM | ||
| Fantasia on a Theme by Thomas Tallis (excerpt) [Master and Commander: The Far Side of the World] | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | F Minor | 0 | 4A | 86 BPM | ||
| The Double Double: Body Double / Double Indemnity | Pino Donaggio, Miklós Rózsa | F Major | 3 | 7B | 110 BPM | ||
| Ontological Shock | Don Davis | G Minor | 5 | 6A | 67 BPM | ||
| Star Trek Generations Overture | Dennis McCarthy | E♭ Major | 2 | 5B | 169 BPM | ||
| Twelve Oaks In Ruin / Scarlett Comes Home | Max Steiner | F Major | 2 | 7B | 84 BPM | ||
| Death and the Maiden: The Confession | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | B Minor | 2 | 10A | 74 BPM | ||
| Orange Respite | Roegan Jones | F Major | 0 | 7B | 85 BPM | ||
| 青い孤島 | Arei | E♭ Major | 1 | 5B | 92 BPM | ||
| Telith's Lament | Funcom Soundtrack, Knut Avenstroup Haugen | A Major | 0 | 11B | 115 BPM | ||
| The Karakorum | George Fenton | B♭ Minor | 1 | 3A | 84 BPM | ||
| Wounded - 2023 Remaster | Takeshi Furukawa | C Minor | 0 | 5A | 81 BPM |