"Bael Knocked Down" by Capcom Sound Team had its release date on February 27, 2008. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 33 out of 104 in Devil May Cry 4 Original Soundtrack by Capcom Sound Team. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Bael Knocked Down is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bael Knocked Down by Capcom Sound Team is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenity | Kota Suzuki, 千本木操 | F Minor | 2 | 4A | 126 BPM | ||
| Dark Skies - Platinum Mix | Graeme Cornies | D Major | 10 | 10B | 122 BPM | ||
| SIGMA 1st | AKEMI KIMURA | B Minor | 4 | 10A | 150 BPM | ||
| Rising Sun | T’s MUSIC | A Minor | 9 | 8A | 130 BPM | ||
| Theme of Blanka | Keiki Kobayashi | B Minor | 10 | 10A | 146 BPM | ||
| Dive into the Heart -Destati- | Yoko Shimomura | D Major | 7 | 10B | 144 BPM | ||
| The Glint of Cold Steel | Falcom Sound Team jdk | D♭ Major | 9 | 3B | 156 BPM | ||
| FFVII REMAKE: Lay Down Some Rubber - Let's Ride | 鈴木 光人, 植松 伸夫 | E Minor | 9 | 9A | 82 BPM | ||
| You're Not Supposed to Be Here | Valve | G Major | 8 | 9B | 161 BPM | ||
| The Beep (Remy Stage) | Capcom Sound Team | D Major | 9 | 10B | 130 BPM | ||
| 追求 ~追いつめられて 2004 | 岩垂徳行 | A♭ Major | 9 | 4B | 149 BPM | ||
| The Front Hall | Capcom Sound Team | F Major | 1 | 7B | 88 BPM | ||
| Hydro City Zone Act 1 | Tee Lopes | A♭ Major | 8 | 4B | 203 BPM | ||
| Crowded Street (Yun & Yang Stage) | Capcom Sound Team | F♯ Minor | 8 | 11A | 130 BPM | ||
| 成歩堂龍一 ~異議あり! 2004 | 岩垂徳行 | A Minor | 7 | 8A | 90 BPM | ||
| Guns of the Patriots | Harry Gregson-Williams | E Major | 3 | 12B | 141 BPM | ||
| Breakthrough | Harry Gregson-Williams | D♭ Minor | 7 | 12A | 160 BPM | ||
| A Moment's Respite I | Shusaku Uchiyama | D Minor | 5 | 7A | 139 BPM | ||
| LG Orbifold | Valve | C Minor | 4 | 5A | 115 BPM | ||
| A Contest Of Aeons | Junya Nakano | D Major | 10 | 10B | 96 BPM | ||
| Prelude to Pursuit | Yasumasa Kitagawa | B♭ Major | 3 | 6B | 150 BPM | ||
| Prime Time - Studiopolis Zone Act 2 | Tee Lopes | A♭ Major | 9 | 4B | 180 BPM | ||
| FFVII REMAKE: Avalanche's Theme | Masashi Hamauzu | D♭ Major | 5 | 3B | 77 BPM | ||
| SHIELDNER SHELDON STAGE | AKEMI KIMURA | A Minor | 10 | 8A | 134 BPM | ||
| Old Temple Stage -Japan- | Hideyuki Fukasawa | E Minor | 8 | 9A | 126 BPM |