Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation V. Allegro moderato - Cadenza by Pyotr Ilyich Tchaikovsky, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester Song Details

"Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation V. Allegro moderato - Cadenza" by Pyotr Ilyich Tchaikovsky, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester had its release date on November 8, 2024. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Rococo". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation V. Allegro moderato - Cadenza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation V. Allegro moderato - Cadenza by Pyotr Ilyich Tchaikovsky, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

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Popularity: 1%
Loudness: -23.817 dB
Acousticness: 90%
Danceability: 22%
Energy: 8%
Instrumentalness: 77%
Liveness: 11%
Loudness: 60%
Speechiness: 5%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D Major. Vivace (Orch. Schmeling)	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	D Major	2	10B	153 BPM
3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall)	Franz Liszt, Nora von Marschall	B♭ Major	0	6B	85 BPM
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio	Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber	C Minor	3	5A	98 BPM
Gayane Suite No. 2: VI. Sabre Dance	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	E♭ Major	8	5B	91 BPM
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy)	Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev	A♭ Major	1	4B	118 BPM
Masquerade Suite: IV. Romance	Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra	B♭ Minor	2	3A	124 BPM
Masquerade Suite: Nocturne	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	A Major	1	11B	105 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia	Sergei Rachmaninoff, Eldar Nebolsin	G Minor	2	6A	114 BPM
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon	G Major	2	9B	90 BPM
The Sleeping Beauty, Op. 66 : Le Prologue: Marche - Entree du Roi Florestan et sa cour (Entrance of King Florestan and Court)	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	A Major	2	11B	112 BPM
Carmen Suite No.2: 5. Danse bohème	Georges Bizet, Orchestre de Paris, Semyon Bychkov	E Major	1	12B	142 BPM
Gaîté parisienne: Barcarolle	Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan	D Major	0	10B	82 BPM
Waltz No. 19 in A minor, Op. posth.	Frédéric Chopin, Peter Jablonski	A Minor	0	8A	69 BPM
Prelude in C Major, BWV 846	Johann Sebastian Bach, Alistair McGowan	C Major	1	8B	122 BPM
Holberg Suite, Op. 40: I. Präludium (Allegro vivace)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	135 BPM
Le roi s'amuse: Pavane	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	B♭ Major	0	6B	91 BPM
Masquerade - Ballet Suite: 1. Waltz	Aram Khachaturian, London Symphony Orchestra, Stanley Black	C Major	3	8B	100 BPM
Danse Bacchanale	Camille Saint-Saëns, N/A, Banda de Lalín, Bram Sniekers	D Major	2	10B	125 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	F Major	0	7B	91 BPM
Carnival of the Animals: The Swan - Arranged for Cello and Harp by Miriam Keogh	Camille Saint-Saëns, None, Sebastian Comberti, Miriam Keogh	G Major	1	9B	123 BPM
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	141 BPM
Serenade in C Major, Op. 48: III. Elegie	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	D Major	1	10B	89 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
Serenade	Jairos	C Major	2	8B	118 BPM