- BPM
- 145
- Key
- C Minor
- Camelot
- 5A
Tico-Tico by Milan Rericha, Barbora Perná Song Details
"Tico-Tico" by Milan Rericha, Barbora Perná had its release date on March 10, 2014. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Tico-Tico's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 15 in Caprice by Milan Rericha, Barbora Perná. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Tico-Tico's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Tico-Tico by Milan Rericha, Barbora Perná is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -5.633 dB
- Acousticness
- 92%
- Danceability
- 19%
- Energy
- 42%
- Instrumentalness
- 86%
- Liveness
- 32%
- Loudness
- 91%
- Speechiness
- 3%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Polovetzian Dance | Alexander Borodin, Milan Rericha, Philharmonic Wind Orchestra, Marc Reift | B♭ Major | 2 | 6B | 153 BPM | |
 | Nach Herzenslust Polka schnell, op. 155 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | G Major | 2 | 9B | 76 BPM | |
 | Crazy | Gary Schnitzer | F Major | 4 | 7B | 134 BPM | |
 | Bugler's Holiday (Arr. R. Hayman) | Leroy Anderson, Richard Hayman Symphony Orchestra, Richard Hayman | A Major | 2 | 11B | 112 BPM | |
 | Clarinetonic: Calmo | Philharmonic Wind Orchestra, Milan Rericha | C Minor | 4 | 5A | 145 BPM | |
 | Solitaire (Arr. Ted Parson) | Marc Reift Orchestra, Milan Rericha | F Major | 6 | 7B | 112 BPM | |
 | Moto Perpetuo, Op. 11 (Arr. for Clarinet by Jirka Kadlec) | Niccolò Paganini, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | B♭ Major | 7 | 6B | 108 BPM | |
 | Children of Sanchez | Tredegar Town Band | B♭ Major | 1 | 6B | 125 BPM | |
 | Cipollino, Act II Scene 3: Dance of Cipollino | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | E♭ Major | 2 | 5B | 100 BPM | |
 | Nessun Dorma (Arr. by Jirka Kadlec) | Giacomo Puccini, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | E♭ Major | 6 | 5B | 130 BPM | |
 | Fanfare für Wiener Philharmoniker, Op. 109 | Richard Strauss, Locke Brass Consort, James Stobart | E♭ Major | 2 | 5B | 90 BPM | |
 | Second Suite for Band: Latino-Mexicana IV. Paso Doble "A la Corrida!" - Recording at Fumon Hall, Tokyo, 1981 | Tokyo Kosei Wind Orchestra, Alfred Reed | G Minor | 3 | 6A | 137 BPM | |
 | Cossack Fire and Wedding Dance | Peter Graham, Brass Band Fröschl Hall, Hubert Kobler, Robert Neumair, Hannes Buchegger | B♭ Minor | 5 | 3A | 173 BPM | |
 | Trumpet Concerto, Op. 18: III. Allegretto - Rondo. Allegro scherzando | Oskar Böhme, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster | E Major | 3 | 12B | 133 BPM | |
 | Andante | Antonio Capuzzi, Philip Catilinet, David Zerkel, Paolo Andre Gualdi | B♭ Major | 0 | 6B | 63 BPM | |
 | VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | |
 | CONCERTO FOR BASS TROMBONE AND BAND, Pt. 1: ALLEGRO CON ENERGICO | Derek Bourgeois, Belgian Guides, Yves Segers | G Minor | 3 | 6A | 123 BPM | |
 | Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | |
| El Condor Pasa (Arr. for Clarinet by Jirka Kadlec) | Daniel Alomía Robles, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | C Minor | 5 | 5A | 97 BPM | |
 | Gateways III | Ken Lafave | E Major | 6 | 12B | 77 BPM | |
 | Gulliver's Travels - Laputa - The Floating Island - Bert Appermont | Harmonie De Charlesbourg, François Dorion | D Minor | 1 | 7A | 82 BPM | |
 | Semper Iuvenalis, Semper Iuvenalis | Günter Ernst Koch, Marine Band Of The Royal Netherlands Navy, Peter Kleine Schaars | D♭ Major | 4 | 3B | 113 BPM | |
 | Concerto (Clarinet Solo) | Philharmonic Wind Orchestra, Marc Reift Orchestra, Milan Rericha | B♭ Major | 3 | 6B | 130 BPM | |
 | Tirant lo Blanc (Version for Symphonic Band): I. Casament del Rei d'Anglaterra | Joan Lluís Moraleda, Banda Municipal De Barcelona, Salvador Brotons | A Major | 3 | 11B | 124 BPM | |
 | Badinerie, BWV 1067 (Arranged by Jérôme Naulais) | Johann Sebastian Bach, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra | G Minor | 5 | 6A | 132 BPM |
- ISRC
- CH1601406924
- Label
- L-M Records/RCA Records