Darren Korb's 'We All Become (Instrumental)' had a release date set for July 31, 2014. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. We All Become (Instrumental)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Transistor Original Soundtrack Extended". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, We All Become (Instrumental)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With We All Become (Instrumental) by Darren Korb having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Damned Souls | Piotr Musiał | E Minor | 4 | 9A | 76 BPM | ||
| Third Confluence | Austin Wintory | E Minor | 1 | 9A | 65 BPM | ||
| Bynn the Breaker | Darren Korb | E Minor | 5 | 9A | 122 BPM | ||
| Those Are Pearls That Were Her Eyes | Mickymar Productions Ltd | A Minor | 3 | 8A | 176 BPM | ||
| I Was the Sun (Before It Was Cool) [Novakid Theme] | Curtis Schweitzer | E Minor | 5 | 9A | 140 BPM | ||
| Road of Trials | Austin Wintory | G Major | 2 | 9B | 142 BPM | ||
| How The World Fell Under Darkness | The Protomen | C Major | 5 | 8B | 124 BPM | ||
| Clocktown | Theophany | D♭ Minor | 7 | 12A | 120 BPM | ||
| Owning the Future | Brain | F Minor | 7 | 4A | 104 BPM | ||
| Maybe You'll Get Some, Maybe You Won't | Jim Guthrie | C Major | 3 | 8B | 125 BPM | ||
| The Krypton Garden | Module | B Minor | 9 | 10A | 122 BPM | ||
| The Hollow Howl | Doseone | D♭ Minor | 10 | 12A | 132 BPM | ||
| Trilobyte (Game Version) | A Shell In The Pit | B Minor | 8 | 10A | 140 BPM | ||
| MacAllan's Endgame | Stephen Barton | E Minor | 6 | 9A | 111 BPM | ||
| After the Crash | Michael McCann | A Major | 7 | 11B | 120 BPM | ||
| What Happened Before History | Epic Mountain | F Major | 2 | 7B | 75 BPM | ||
| I Was Born for This | Austin Wintory | D Major | 1 | 10B | 87 BPM | ||
| Mr. Mac | Ronald Jenkees | C Minor | 5 | 5A | 95 BPM | ||
| Red Planet | Danimal Cannon | A Minor | 8 | 8A | 109 BPM | ||
| Threshold | Austin Wintory | D♭ Minor | 2 | 12A | 72 BPM | ||
| Neon Mines | Module | D Minor | 7 | 7A | 122 BPM | ||
| Metal Gleamed in the Twilight | Cœur De Pirate | G Minor | 9 | 6A | 160 BPM | ||
| The Hammer of Pompeii (Necropolis) | Mudeth | A♭ Major | 7 | 4B | 126 BPM | ||
| Tropic of Capricorn | Chris Christodoulou | C Minor | 8 | 5A | 160 BPM | ||
| Possessed by Disease | 岡部啓一 | D Minor | 7 | 7A | 112 BPM |