"The Departure" by Elliot Goldenthal had its release date on January 1, 2002. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. The Departure's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 24 in Frida (Original Motion Picture Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Departure is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Departure by Elliot Goldenthal is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capri | Georges Delerue | D Major | 2 | 10B | 77 BPM | ||
| El grito | Alberto Iglesias | A Minor | 1 | 8A | 136 BPM | ||
| Wave | Elliot Goldenthal | A Major | 0 | 11B | 64 BPM | ||
| Choking The Bishop | Thomas Newman | B Major | 3 | 1B | 123 BPM | ||
| Anna's Last Train | Dario Marianelli | D♭ Major | 1 | 3B | 82 BPM | ||
| Home is with Me | Dustin O'Halloran, Volker Bertelmann, Dustin O'Halloran & Volker Bertelmann | G Minor | 1 | 6A | 88 BPM | ||
| What Must Be Done | Nick Cave & Warren Ellis | C Minor | 1 | 5A | 80 BPM | ||
| Drawing | Guy Farley | G Major | 1 | 9B | 94 BPM | ||
| Mad Ole Titus - Instrumental | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | E Minor | 3 | 9A | 141 BPM | ||
| Lady Caliph: Nocturne | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | A Minor | 3 | 8A | 90 BPM | ||
| Ar intch lav er | Lévon Minassian | B♭ Minor | 6 | 3A | 70 BPM | ||
| Burning Bed | Elliot Goldenthal | G Major | 4 | 9B | 112 BPM | ||
| Ill-Fated Plot - Instrumental | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | F Major | 1 | 7B | 84 BPM | ||
| The Hem | Jonny Greenwood | B♭ Minor | 2 | 3A | 116 BPM | ||
| Still Life | Elliot Goldenthal | G Minor | 0 | 6A | 74 BPM | ||
| Trame Invisibili | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| End Title | Clint Eastwood | F♯ Major | 1 | 2B | 81 BPM | ||
| La melodia sospesa | Nicola Piovani | A Minor | 1 | 8A | 60 BPM | ||
| Flight To The Wasteland - Voice | Elliot Goldenthal | F Major | 1 | 7B | 109 BPM | ||
| To The Forest . . . - Score Version | James Horner | D Minor | 0 | 7A | 135 BPM | ||
| Hungry Piano | Nicola Piovani | G Major | 1 | 9B | 73 BPM | ||
| Ancient Law | Guy Farley | B♭ Major | 1 | 6B | 81 BPM | ||
| Desh: Storm Engine | Natacha Atlas, Jocelyn Pook, Lalon Shah, Melanie Pappenheim, Sohini Alam, Jeremy Schonfield, Tanja Tzarovska, Leesa Gazi, Labik Kamal, Sophie Harris, Dragan Aleksic, Bulgarian Orchestra | E Minor | 3 | 9A | 81 BPM | ||
| Chef's Special | Nicholas Britell | A♭ Minor | 1 | 1A | 80 BPM | ||
| Horgota Beach [Captain Corelli's Mandolin - Original Motion Picture Soundtrack] | Stephen Warbeck, Orchestra, Nick Ingman | E Minor | 1 | 9A | 181 BPM |