"Police" by Angelo Badalamenti had its release date on February 18, 1997. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Lost Highway" album is number 21 out of 23. On top of that, United States appears to be the country where this track was created. Police is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Police by Angelo Badalamenti to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Root Beer | Thomas Newman | B Major | 5 | 1B | 93 BPM | ||
| Hands and Feet | Punch-Drunk Love | C Major | 6 | 8B | 113 BPM | ||
| Mortar | Hildur Guðnadóttir, London Contemporary Orchestra | F Minor | 4 | 4A | 90 BPM | ||
| Lontano (1967) | SWF Symphony Orchestra Baden-Baden, Ernest Bour | F Minor | 1 | 4A | 65 BPM | ||
| Possessor | Jim Williams | D Minor | 0 | 7A | 72 BPM | ||
| The Girl In The Limo | David Shire | A♭ Minor | 3 | 1A | 62 BPM | ||
| Through The Surveillance Monitor | Don Davis | N/A | N/A | N/A | 0 BPM | ||
| Markos - Originale | Goblin | G Minor | 10 | 6A | 109 BPM | ||
| Sleepwalking | Goblin | G Major | 6 | 9B | 140 BPM | ||
| Over Abyss | Chris & Cosey, Lustmord | D♭ Major | 9 | 3B | 134 BPM | ||
| Blush Response | Vangelis | D Major | 3 | 10B | 97 BPM | ||
| The Storm | Wojciech Kilar | E Major | 2 | 12B | 102 BPM | ||
| Freshly Squeezed - Instrumental | Angelo Badalamenti | F Minor | 2 | 4A | 80 BPM | ||
| New York Mood (New Haircut and a Busted Lip) - Instrumental | Tom Waits | A Minor | 0 | 8A | 122 BPM | ||
| Headless Chicken | Thought Gang | A♭ Minor | 5 | 1A | 151 BPM | ||
| Memoria | Mark Snow | F Major | 1 | 7B | 137 BPM | ||
| Saint Maud Main Theme | Adam Janota Bzowski | D♭ Major | 1 | 3B | 92 BPM | ||
| Sa Vestibule | The Dale Cooper Quartet | D Major | 5 | 10B | 82 BPM | ||
| Chrysanthemum Complex | Cliff Martinez | C Minor | 3 | 5A | 105 BPM | ||
| High and Low | Masaru Sato | C Major | 1 | 8B | 169 BPM | ||
| Guitar Solo, No. 4 | Neil Young | E Major | 5 | 12B | 179 BPM | ||
| Heels | Disasterpeace | F Major | 3 | 7B | 112 BPM | ||
| Plavalaguna | Éric Serra | D Minor | 2 | 7A | 70 BPM | ||
| Checkpoint Charlie | Barry Adamson | F♯ Major | 5 | 2B | 84 BPM | ||
| Night Electricity Theme | Dean Hurley | B Major | 0 | 1B | 125 BPM |