Rezwana Choudhury Bannya's ' "Gram-Chhara Oi Ranga Matir Path - Rezwana Chowdhury Bannya" was released on its scheduled release date, May 6, 2002. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Matir Dakh Songs And Readings Of Tagore" album is number 7 out of 18. On top of that, India appears to be the country where this track was created. In terms of popularity, Gram-Chhara Oi Ranga Matir Path - Rezwana Chowdhury Bannya is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gram-Chhara Oi Ranga Matir Path - Rezwana Chowdhury Bannya by Rezwana Choudhury Bannya to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhador Ashwin Mase | Bhoomi | F Major | 4 | 7B | 174 BPM | ||
| Jibono Moroner | Piya Chakraborty | D♭ Minor | 5 | 12A | 125 BPM | ||
| Hedehey Nilaj ("Bismillah") | Debayan Banerjee | F Major | 5 | 7B | 153 BPM | ||
| Bhalobeshe Shokhi | Iman Chakraborty | A Major | 4 | 11B | 154 BPM | ||
| Ay Tobe Sohochori | Somlata Acharya | F♯ Minor | 4 | 11A | 110 BPM | ||
| Muktiro Mondiro | Indira Bandyopadhyay | B♭ Major | 5 | 6B | 118 BPM | ||
| Khanchar Bhitor Achin Pakhi | Lalon Fakir | G Minor | 3 | 6A | 140 BPM | ||
| Phnaade Poriya Bawga Knaade Re | Anandee Basu | B♭ Major | 4 | 6B | 104 BPM | ||
| Khachar Vitar Achin Pakhi Kemne Aase Jai | Kartik Das Baul | E Major | 6 | 12B | 154 BPM | ||
| Sukhe Amay Rakhbe Kano | Parama Bandyopadhay | B♭ Major | 1 | 6B | 131 BPM | ||
| Biroho Modhuro Holo | Rezwana Choudhury Bannya | B♭ Major | 3 | 6B | 123 BPM | ||
| Purano Sei Diner Katha | Debabrata Biswas | C Major | 3 | 8B | 102 BPM | ||
| Shurey Shurey Jodi | Tushar Dutta | A Major | 6 | 11B | 110 BPM | ||
| Amaro Porano | Durnibar Saha | G Minor | 2 | 6A | 75 BPM | ||
| O Amar Mon Jamunar Ange Ange | Manna Dey | C Major | 3 | 8B | 71 BPM | ||
| Ami Ekdino Na Dekhilam Tare | Goutam Das Baul | B Major | 6 | 1B | 143 BPM | ||
| Kotobaro Bhebechinu | Swagatalakshmi Dasgupta | C Major | 3 | 8B | 148 BPM | ||
| Aaj Josna Raate | Rezwana Choudhury Bannya | A♭ Major | 3 | 4B | 76 BPM | ||
| Aakash Bhora Surja Tara | Rezwana Choudhury Bannya | B♭ Major | 6 | 6B | 132 BPM | ||
| Adho Raate Jodi Ghum Bhenge Jay | Talat Mahmood | F Minor | 2 | 4A | 90 BPM | ||
| Ja Pakhi Ure Ja Na | Subhamita | A♭ Major | 3 | 4B | 126 BPM | ||
| Sara Dao | Kabir Suman | E♭ Major | 2 | 5B | 129 BPM | ||
| Ami Tomar Shonge Bhendhechi Aamaro Pran | Indrani Sen | B Major | 3 | 1B | 138 BPM | ||
| Ami Shunechi Sedin Tumi | Provat Tonoy, Moushumi Bhowmik | D♭ Major | 2 | 3B | 102 BPM | ||
| Tobu Mone Rekho | Soumyojit | D♭ Major | 1 | 3B | 111 BPM |