Corroded's ' "Dead On Arrival" was released on its scheduled release date, October 6, 2010. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 11 in Exit To Transfer by Corroded. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Dead On Arrival's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Dead On Arrival by Corroded is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Don't Celebrate Sundays | Hardcore Superstar | A♭ Major | 10 | 4B | 150 BPM | ||
| Scared for My Life | Battering Ram | D♭ Major | 10 | 3B | 84 BPM | ||
| Wounds | Raised Fist | D♭ Major | 8 | 3B | 120 BPM | ||
| The Darkest Void | Engel | E♭ Minor | 9 | 2A | 200 BPM | ||
| Touch the Sky | Hardcore Superstar, Etzia | E Major | 7 | 12B | 102 BPM | ||
| Chasing a Ghost | Dawn Of Silence | F♯ Major | 10 | 2B | 175 BPM | ||
| Stabbing the Drama | Soilwork | E Major | 10 | 12B | 150 BPM | ||
| Whatever the Reason | Plan Three | A♭ Major | 9 | 4B | 182 BPM | ||
| The Nexus | Amaranthe | F♯ Major | 10 | 2B | 105 BPM | ||
| Count On Me | Bullseye | A♭ Major | 10 | 4B | 163 BPM | ||
| Dressed in Black | MILE | A Minor | 9 | 8A | 155 BPM | ||
| Whatever Come May Be | Sparzanza | D♭ Minor | 9 | 12A | 145 BPM | ||
| The Human Instrument | Volbeat | D Major | 10 | 10B | 78 BPM | ||
| The Twisting Knife | Danko Jones | D♭ Minor | 10 | 12A | 135 BPM | ||
| Running In Your Veins | Renegade Five | B♭ Major | 9 | 6B | 176 BPM | ||
| Learning the Lesson | Silver End | E♭ Minor | 9 | 2A | 92 BPM | ||
| The Illusionist | Scar Symmetry | D Major | 10 | 10B | 75 BPM | ||
| Like No Tomorrow | The Poodles | D♭ Major | 9 | 3B | 123 BPM | ||
| Bring Me Everyone | Mustasch | C Minor | 8 | 5A | 141 BPM | ||
| Trogen vän | Maskinisten | B Minor | 6 | 10A | 75 BPM | ||
| Waiting to Burst | Eyes Wide Open | B♭ Minor | 10 | 3A | 80 BPM | ||
| Flow | Raised Fist | D♭ Major | 8 | 3B | 125 BPM | ||
| Our Evil | Zico Chain | C Major | 10 | 8B | 95 BPM | ||
| Be Still My Heart | Plan Three | F♯ Minor | 9 | 11A | 160 BPM | ||
| 24/7 | Sister Sin | C Minor | 9 | 5A | 154 BPM |