Mapache's 'Nellie' had a release date set for October 6, 2017. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Nellie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mapache's "Mapache" album is number 11 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Nellie is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Nellie by Mapache to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| no one will laugh | Dan Reeder | E♭ Major | 2 | 5B | 85 BPM | ||
| I Wonder Why | Kacy & Clayton, Marlon Williams | G Major | 6 | 9B | 79 BPM | ||
| Why Should You Take Me There | Sam Burton | E Major | 5 | 12B | 126 BPM | ||
| Aa Blues | Tobacco City | A Minor | 5 | 8A | 150 BPM | ||
| Always Changing | Esther Rose | E Major | 4 | 12B | 85 BPM | ||
| Self Centered Blues | Natural Child | A Major | 3 | 11B | 139 BPM | ||
| Bells Of Rhymney | Jake Xerxes Fussell | D Major | 5 | 10B | 116 BPM | ||
| Satisfied | Woody Pines | D♭ Minor | 5 | 12A | 89 BPM | ||
| Starting Over | Esther Rose | A Major | 7 | 11B | 135 BPM | ||
| Helen's Restaurant | Daniel Romano | F♯ Major | 6 | 2B | 74 BPM | ||
| Wiggle Room | Drug Cabin | A Minor | 7 | 8A | 97 BPM | ||
| Only Loving You | Esther Rose | A Major | 7 | 11B | 130 BPM | ||
| Illusion | Sam Burton | E Major | 3 | 12B | 150 BPM | ||
| Passenger Seat | Izaak Opatz | C Major | 6 | 8B | 82 BPM | ||
| The Dead They Don't Come Back | Kevin Morby | E Major | 5 | 12B | 101 BPM | ||
| Open the Door | Chris and Thomas | E♭ Minor | 4 | 2A | 79 BPM | ||
| Like a Stone | Mapache | G Major | 4 | 9B | 121 BPM | ||
| I'm Ahead If I Can Quit While I'm Behind | Jim Ford | E Major | 4 | 12B | 114 BPM | ||
| Payador | Tim Hill | E Major | 4 | 12B | 134 BPM | ||
| Now That I Know | Ted Lucas | G Major | 6 | 9B | 115 BPM | ||
| In the Morning Light | Mapache | E Major | 4 | 12B | 113 BPM | ||
| Boomerang | The Cactus Blossoms | D Minor | 4 | 7A | 128 BPM | ||
| The Light Of Day | Kacy & Clayton | G Major | 2 | 9B | 101 BPM | ||
| Shoot Me to the Moon | Dan Reeder | E Major | 2 | 12B | 100 BPM | ||
| Walls of White | Liz Cooper, The Stampede | F♯ Major | 2 | 2B | 89 BPM |