Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne's 'Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato' had a release date set for February 28, 2020. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Timothy Ridout, Orchestre de Chambre de Lausanne, Jamie Phillips's "Music for Viola & Chamber Orchestra: Vaughan Williams, Martinů, Hindemith & Britten" album is number 1 out of 15. On top of that, Switzerland appears to be the country where this track was created. Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato by Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Norfolk Rhapsody No. 2 | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | F Major | 0 | 7B | 99 BPM | ||
| Nocturne, Op. 33 | Samuel Barber, Isata Kanneh-Mason | A♭ Major | 1 | 4B | 97 BPM | ||
| España, Op. 165: Tango - for alto and piano | Isaac Albéniz, Tabea Zimmermann, Javier Perianes | D Major | 0 | 10B | 80 BPM | ||
| Prelude and Fugue in D Major, P. 158: Fugue. Allegro (After J.S. Bach's BWV 532) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 99 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: II. Allegro | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 1 | 9B | 82 BPM | ||
| Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | C Minor | 0 | 5A | 143 BPM | ||
| Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante (Orch. Marriner) | Alexander Borodin, Sir Neville Marriner, Academy of St. Martin in the Fields, Denis Vigay, Kenneth Sillito | A Major | 1 | 11B | 93 BPM | ||
| Sonata in G Minor for Cello and Piano, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | G Major | 1 | 9B | 79 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| Tchaikovsky / Arr. Nakariakov: Andante cantabile for Flugelhorn and Orchestra (After String Quartet No. 1, Op. 11) | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | F Major | 8 | 7B | 140 BPM | ||
| Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Lucas Jussen, Arthur Jussen, Concertgebouworkest, Stéphane Denève | B♭ Major | 1 | 6B | 88 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | A Major | 4 | 11B | 134 BPM | ||
| Violin Sonata in A Major, M. 8: IV. Allegretto poco mosso (Arr. J. Delsart for cello and piano) | César Franck, Harriet Krijgh, Kamilla Isanbaeva | C Minor | 1 | 5A | 97 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Clarinet Concerto: I. Slowly and expressively - | Aaron Copland, David Singer, Far Cry, A | D Minor | 0 | 7A | 86 BPM | ||
| Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 2, Elegy | Frederick Delius, Gerald Peregrine, Antony Ingham | D Major | 0 | 10B | 171 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM | ||
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 3. Carol | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 80 BPM | ||
| Klid (Silent Woods), Op. 68/5 | Antonín Dvořák, Jean-Guihen Queyras | D♭ Major | 1 | 3B | 75 BPM | ||
| Hymn-Tune Prelude on Song 13 by Orlando Gibbons | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 89 BPM | ||
| Divertimento: II. Lento | Leo Smit, Lucas Jussen, Arthur Jussen | C Minor | 1 | 5A | 139 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Harriet Krijgh, Magda Amara | G Major | 0 | 9B | 175 BPM |