"Vidalita fea" by Gustavo Ripa had its release date on November 26, 2017. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Vidalita fea's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "SimpleMente". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Uruguay. Vidalita fea is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Vidalita fea by Gustavo Ripa having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata No. 3 in C Major | Paul Erickson | G Major | 1 | 9B | 111 BPM | ||
| Waves | GENTLE STRING | A Minor | 4 | 8A | 95 BPM | ||
| 7 anéis | Carlos Moscardini | D Major | 1 | 10B | 84 BPM | ||
| Tarde de Janeiro | moacir báia | D Major | 1 | 10B | 124 BPM | ||
| Miniatura No.22 - Luciérnagas | Gerson Lizama | D Major | 1 | 10B | 125 BPM | ||
| Barcarole | Giannis Venizelos | D Minor | 1 | 7A | 131 BPM | ||
| Huella Digital - Acústico | Nicolas Ibarburu, Juan Pablo Chapital | D♭ Minor | 2 | 12A | 120 BPM | ||
| Oliva | João Paulo Lanini | G Major | 2 | 9B | 98 BPM | ||
| Nenya | Matthias Lindner | D Minor | 2 | 7A | 110 BPM | ||
| SOMBRAS DE NUMEN | Manuel Galán, Sounds of Vega | G Major | 2 | 9B | 146 BPM | ||
| Baiao | Virginia Morillas | G Major | 2 | 9B | 104 BPM | ||
| Milonga Del Desamor | Gabriel Aldana | D Minor | 2 | 7A | 110 BPM | ||
| 月明かりの下で | BLOID | E Minor | 5 | 9A | 119 BPM | ||
| Fugitivos del tiempo | Javier Miño | G Major | 2 | 9B | 79 BPM | ||
| Pelos Astros | Bruno Conde | G Major | 2 | 9B | 113 BPM | ||
| Olivar de los Padres | Regina Costa | G Major | 1 | 9B | 119 BPM | ||
| Corazón Partió | Tato Isaac | G Major | 1 | 9B | 117 BPM | ||
| Vinile 1912 | Renato Caruso | D Minor | 2 | 7A | 110 BPM | ||
| De raíz pampeana | Carolina Barenbaum | G Minor | 1 | 6A | 78 BPM | ||
| El adiós, en forma de cueca | Bastian Inostroza | G Major | 2 | 9B | 85 BPM | ||
| A Matilde Coral | José Torres Vicente | D Minor | 2 | 7A | 110 BPM | ||
| Nada | Pom Guitarist | C Major | 4 | 8B | 148 BPM | ||
| Llegan los Carnavales | Carmen Guillen | G Minor | 5 | 6A | 94 BPM | ||
| What was left behind | Giannis Venizelos | D Major | 1 | 10B | 90 BPM | ||
| Sanibel | Alberto Rojo | A Major | 3 | 11B | 80 BPM |