"The Lord Bless You and Keep You" by John Rutter, Hugh Martin, Ralph Blane, Aled Jones, Russell Watson, Tom Rainey had its release date on November 1, 2019. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. The Lord Bless You and Keep You's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in Back in Harmony by Hugh Martin, Ralph Blane, Aled Jones, Russell Watson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of The Lord Bless You and Keep You is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Lord Bless You and Keep You by John Rutter, Hugh Martin, Ralph Blane, Aled Jones, Russell Watson, Tom Rainey is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psalm 91 | Anonymous, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| O Weisheit | Arvo Pärt, Daniel Taylor | A Major | 0 | 11B | 74 BPM | ||
| Requiem for the Living: III. Agnus Dei | Providence Singers, Christine Noel | B♭ Minor | 0 | 3A | 95 BPM | ||
| Samson, HWV 57: Let the Bright Seraphim in Burning Row - Let Their Celestial Concerts All Unite | George Frideric Handel, John Rutter, Simon Cox, Aurora Orchestra, The Cambridge Singers, Elin Manahan Thomas | D Major | 2 | 10B | 108 BPM | ||
| III. Vivace e ritmico | John Rutter, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble | E Minor | 0 | 9A | 143 BPM | ||
| Requiem in D Minor, Op. 48: V. Agnus Dei | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Reaching: Reaching | Craig Hella Johnson, Conspirare, Haitham Haidar, Simon Barrad | E♭ Major | 2 | 5B | 76 BPM | ||
| The Apostles, Op. 49: Prologue (The Spirit of the Lord Is upon Me) | Edward Elgar, John Rutter, Andrew Lucas, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| In Song: I. Intro: Entre nos voix | Diane Boudreau, Laura Hawley, Michelle David, Canadian Chamber Choir, Joel Tranquilla | G Major | 1 | 9B | 78 BPM | ||
| The Ground | Ola Gjeilo, Tenebrae, The Chamber Orchestra Of London | E♭ Major | 1 | 5B | 82 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| E'en So, Lord Jesus, Quickly Come (feat. Paul Manz) | The National Lutheran Choir, Paul Manz | B♭ Minor | 1 | 3A | 94 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Down by the Salley Gardens (Arr. for Choir & Orchestra by John Rutter) | Traditional, David Rix, City of London Sinfonia, John Rutter, The Cambridge Singers | B♭ Major | 2 | 6B | 80 BPM | ||
| Still, Still Night | Seattle Girls' Choir | D♭ Major | 0 | 3B | 78 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
| Requiem (Arr. Johnson) | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
| O For a Thousand Tongues to Sing | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 1 | 10B | 167 BPM | ||
| The Falcon: The Falcon: III. Passacaglia | John Rutter, City of London Sinfonia, St. Paul's Cathedral Choir, Andrew Lucas, The Cambridge Singers | F Major | 3 | 7B | 77 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Celtic Concerto: 1. Jig a Jig | Catrin Finch, Sinfonia Cymru, John Rutter | E♭ Major | 3 | 5B | 140 BPM |