- BPM
- 62
- Key
- F Major
- Camelot
- 7B
Pagliacci / Act 1: "Un tal gioco, credetemi" by Ruggero Leoncavallo, Luciano Pavarotti, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè Song Details
"Pagliacci / Act 1: "Un tal gioco, credetemi"" by Ruggero Leoncavallo, Luciano Pavarotti, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè had its release date on December 3, 1978. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Pagliacci / Act 1: "Un tal gioco, credetemi"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè's "Leoncavallo: Pagliacci" album is number 4 out of 17. Pagliacci / Act 1: "Un tal gioco, credetemi" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Pagliacci / Act 1: "Un tal gioco, credetemi" by Ruggero Leoncavallo, Luciano Pavarotti, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 16%
- Loudness
- -18.843 dB
- Acousticness
- 97%
- Danceability
- 35%
- Energy
- 16%
- Instrumentalness
- 0%
- Liveness
- 70%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) | Giuseppe Verdi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 2 | 4B | 86 BPM | |
 | Non ti scordar di me (Arr. Mancini) | Ernesto de Curtis, Luciano Pavarotti, Henry Mancini | A Major | 3 | 11B | 86 BPM | |
 | La bohème, Act III: Dunque è propio finita! | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 90 BPM | |
 | Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | |
 | I Puritani / Act 1: Ferma! Invan, invan rapir pretendi! | Vincenzo Bellini, Piero Cappuccilli, Luciano Pavarotti, Anita Caminada, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | A Major | 3 | 11B | 172 BPM | |
 | L'elisir d'amore / Act 2: "La donna è un animale" | Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 78 BPM | |
 | Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | |
 | Cavalleria rusticana: "Fior di giaggiolo" | Pietro Mascagni, Carmen Gonzales, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | B♭ Major | 1 | 6B | 176 BPM | |
| I Puritani / Act 3: Suon d'araldi? | Vincenzo Bellini, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 4 | 10B | 120 BPM | |
 | La bohème, Act IV: Gavotta! ... Minuetto! | Giacomo Puccini, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | |
 | Pecchè? | Gaetano Pennino, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | G Major | 2 | 9B | 176 BPM | |
| La bohème, Act III: Ohè, là, le guardie! Aprite! | Giacomo Puccini, Hans-Dietrich Pohl, Elizabeth Harwood, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 123 BPM | |
 | L'amico Fritz / Act 2: "Suzel, buon di" | Pietro Mascagni, Cecilia Bartoli, Luciano Pavarotti, London Voices, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 1 | 11B | 71 BPM | |
 | Cavalleria rusticana: Part I: Il cavallo scalpita (Alfio, Chorus, Lucia, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 3 | 8B | 116 BPM | |
 | Eugene Onegin, Op. 24, TH 5 / Act III: (Scene 2) Closing Scene. "O! Kak mnye tyazhelo!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
 | La Sonnambula / Act 1: Prendi: l'anel ti dono | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 72 BPM | |
 | Lucia di Lammermoor / Act 1: Preludio - "Percorrete le spiaggie vicine" | Gaetano Donizetti, Pier Francesco Poli, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | |
 | Faust, CG 4, Act III: Quel trouble inconnu – Salut, demeure chaste et pure | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | |
 | Il Trovatore / Act 3: "Giorni poveri vivea" | Giuseppe Verdi, Marilyn Horne, Nicolai Ghiaurov, Ingvar Wixell, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 4 | 8B | 131 BPM | |
 | Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | |
 | Un ballo in maschera / Act 3: "Forse la soglia attinse" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 1 | 4B | 90 BPM | |
 | Madama Butterfly / Act 2: Come una mosca prigionera | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 137 BPM | |
 | La Vestale (1997 Digital Remaster): O nome tutelar | Gaspare Spontini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Major | 1 | 10B | 93 BPM | |
| Funiculì-Funiculà (Orch. Chiaramello) | Luigi Denza, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 3 | 7B | 126 BPM | |
 | Luisa Miller / Act 2: Quando le sere al placido chiaror d'un ciel stellato | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Peter Maag | A♭ Major | 2 | 4B | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records