Mosley & The B-Men's ' "End Credits: Try To Believe - Midnight Run/Soundtrack Version" was released on its scheduled release date, January 1, 1988. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Danny Elfman's "Midnight Run" album is number 24 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, End Credits: Try To Believe - Midnight Run/Soundtrack Version is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of End Credits: Try To Believe - Midnight Run/Soundtrack Version by Mosley & The B-Men to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 69 Police | David Holmes, Sean Gullette | D Major | 10 | 10B | 100 BPM | ||
| Pam | National Philharmonic Orchestra | G Major | 1 | 9B | 134 BPM | ||
| Zorro Is Back | Guido De Angelis, Maurizio De Angelis, Oliver Onions | F Major | 6 | 7B | 137 BPM | ||
| Saved My Life | Fee Waybill | A Major | 9 | 11B | 106 BPM | ||
| Stir It Up - From "Beverly Hills Cop" Soundtrack | Patti LaBelle | B Minor | 8 | 10A | 105 BPM | ||
| Stressed Out (Close to the Edge) | Airplay | B Minor | 7 | 10A | 118 BPM | ||
| Don't Box Me In | Stewart Copeland | A Minor | 6 | 8A | 160 BPM | ||
| The Heart Is So Willing | Stephen Bishop | G Major | 9 | 9B | 131 BPM | ||
| Save Me | Peter Cetera | F♯ Major | 6 | 2B | 93 BPM | ||
| Nowhere Fast | Meat Loaf | D♭ Minor | 7 | 12A | 160 BPM | ||
| Talkin' Softball | The Simpsons | G Major | 4 | 9B | 117 BPM | ||
| Let Yourself In For It - The Color Of Money/Soundtrack Version | Robert Palmer | A Major | 3 | 11B | 97 BPM | ||
| Nowhere To Run - From "The Warriors" Soundtrack | Arnold McCuller | E Major | 9 | 12B | 141 BPM | ||
| Falling Out Of Love | Ivan Neville | F Major | 8 | 7B | 91 BPM | ||
| The Taking of Pelham 123 (Main Title) | Czech Philharmonic Chamber Orchestra | B♭ Minor | 7 | 3A | 176 BPM | ||
| Where I Find My Heaven | Gigolo Aunts | A Major | 4 | 11B | 79 BPM | ||
| Stand in the Fire - 2007 Remaster; Live | Warren Zevon | D Major | 7 | 10B | 126 BPM | ||
| Burn On - 2002 Remaster | Randy Newman | B Major | 1 | 1B | 117 BPM | ||
| Speeding | The Go-Go's | B Major | 9 | 1B | 181 BPM | ||
| Girls With Guns | Tommy Shaw | A Major | 10 | 11B | 191 BPM | ||
| Knock the Cover Off the Ball | Randy Newman | D♭ Major | 0 | 3B | 71 BPM | ||
| I Got Nothing - From "The Goonies" Soundtrack | The Bangles | G Major | 8 | 9B | 122 BPM | ||
| Ever Met a Day | Graduate | B♭ Major | 9 | 6B | 107 BPM | ||
| Applecart | Big Audio Dynamite | F♯ Major | 7 | 2B | 122 BPM | ||
| Neutron Dance | The Pointer Sisters | A Major | 8 | 11B | 105 BPM |