- BPM
- 71
- Key
- E Major
- Camelot
- 12B
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer by Nino Rota, Alice Sara Ott Song Details
"WHEN THE GRASS WAS GREENER / Nino Rota: Valzer" by Nino Rota, Alice Sara Ott had its release date on June 25, 2021. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. WHEN THE GRASS WAS GREENER / Nino Rota: Valzer's duration is considered a little bit shorter than the average duration of a typical track. Since WHEN THE GRASS WAS GREENER / Nino Rota: Valzer only contains only one song in the album, we like to consider this song as a single. Based on our data, Germany was the country where this track was produced or recorded. WHEN THE GRASS WAS GREENER / Nino Rota: Valzer is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since WHEN THE GRASS WAS GREENER / Nino Rota: Valzer by Nino Rota, Alice Sara Ott has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With WHEN THE GRASS WAS GREENER / Nino Rota: Valzer being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Music Key
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 42%
- Loudness
- -24.887 dB
- Acousticness
- 99%
- Danceability
- 26%
- Energy
- 5%
- Instrumentalness
- 89%
- Liveness
- 9%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Liszt: 12 Lieder von Franz Schubert, S. 558: No. 7, Frühlingsglaube | Franz Liszt, Aimi Kobayashi | A♭ Major | 0 | 4B | 68 BPM | |
 | LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | |
 | Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | |
 | Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Morricone: Cinema Paradiso | Andrea Morricone, Ennio Morricone, Alexandre Tharaud | B♭ Major | 0 | 6B | 81 BPM | |
 | Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | |
 | Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major | Gabriel Fauré, Alexandre Tharaud | A♭ Major | 0 | 4B | 69 BPM | |
 | Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | |
 | Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | |
 | 24 Préludes, Op. 28: Prelude No. 4 in E Minor | Katia Labèque | E Minor | 0 | 9A | 73 BPM | |
 | Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | |
 | Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | |
 | Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre a ta voix (Arr. Rot for Violin and Orchestra) | Camille Saint-Saëns, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 68 BPM | |
 | Sonata for 2 Pianos in D Major, K. 448: II. Andante | Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann | G Major | 0 | 9B | 110 BPM | |
 | Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | |
 | Three Visions: II. Summerland | William Grant Still, Jeneba Kanneh-Mason | A♭ Minor | 2 | 1A | 112 BPM | |
 | Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | |
 | Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | |
 | Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | |
 | 24 Preludes, Op. 11: No. 11 in B Major. Allegro assai | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM | |
 | Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | |
 | Intermezzo In B Minor, Op. 119 No.1 | Johannes Brahms, Kun-Woo Paik | D Minor | 1 | 7A | 81 BPM | |
 | 7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | B Major | 0 | 1B | 72 BPM | |
 | Nocturne 'Homage to John Field', Op. 33 | Samuel Barber, Ruth Slenczynska | A♭ Major | 1 | 4B | 65 BPM | |
 | Ravel: Pavane pour une infante défunte | Maurice Ravel, Hayato Sumino | A Minor | 0 | 8A | 98 BPM |
- ISRC
- DEN962100280
- Label
- L-M Records/RCA Records