"To Accept the Partings That Must Come" by Hill had its release date on October 3, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since To Accept the Partings That Must Come only contains only one song in the album, we like to consider this song as a single. To Accept the Partings That Must Come is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To Accept the Partings That Must Come by Hill having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Embers & Flares | Gray North | D Minor | 2 | 7A | 130 BPM | ||
| Replicant | Hill | D Major | 2 | 10B | 118 BPM | ||
| Shoebox Memories | Thomas James White | A Minor | 0 | 8A | 62 BPM | ||
| The Forgotten Ruin | Magnificatum | F Minor | 1 | 4A | 54 BPM | ||
| Starting the Process of Stopping | Daniel G. Harmann | F Major | 2 | 7B | 68 BPM | ||
| Schlafen dürfen mit Adhs | Audisana Klangtherapie | A♭ Major | 1 | 4B | 120 BPM | ||
| As One | Mittere | G Major | 2 | 9B | 61 BPM | ||
| Habit of a Past Life (Edit) | Tess Sperber | D Minor | 3 | 7A | 76 BPM | ||
| A# PAD | Heaven Track | B Major | 1 | 1B | 66 BPM | ||
| When Darkness Is No Longer Dark | Hill | D♭ Major | 7 | 3B | 92 BPM | ||
| In a Moment | inola, Formosa | D♭ Major | 1 | 3B | 74 BPM | ||
| Knock at the Door | Ian Hultquist, Sofia degli Alessandri | F Major | 1 | 7B | 58 BPM | ||
| Sawatch | Ross Lara | B Minor | 2 | 10A | 79 BPM | ||
| It's Always Darkest Before Dawn | Hill | C Minor | 3 | 5A | 80 BPM | ||
| Winter Sunset | Bahrambient | A Minor | 3 | 8A | 158 BPM | ||
| El pasado | Jon Aguirrezabalaga, Verde Prato | B Minor | 0 | 10A | 140 BPM | ||
| Why We Love | Jamin Winans | G Major | 3 | 9B | 92 BPM | ||
| Émois (Doux) | Jordan Critz | A Minor | 3 | 8A | 132 BPM | ||
| Fuente | Alexis Somogyi | A Minor | 2 | 8A | 63 BPM | ||
| L'orée d'un bois | Margaret Hermant, Neil Leiter, Gary De Cart, Fabien Leseure, Echo Collective, East Connection Music, Charlotte Danhier | F♯ Minor | 2 | 11A | 60 BPM | ||
| The Fluttering | Regnum Umbrae | B Minor | 0 | 10A | 150 BPM | ||
| Falling | Omar Raafat | C Minor | 1 | 5A | 180 BPM | ||
| Silence for Days | Hanan Townshend | E♭ Minor | 1 | 2A | 176 BPM | ||
| Concho | Daniel G. Harmann | F Major | 1 | 7B | 70 BPM | ||
| Psalm | Jamin Winans | B♭ Major | 6 | 6B | 100 BPM |