"Detour Ahead" by Jennifer Leitham had its release date on January 1, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jennifer Leitham's "Left Coast Story" album is number 8 out of 9. On top of that, United States appears to be the country where this track was created. Detour Ahead is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Detour Ahead by Jennifer Leitham to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Beautiful Friendship | Susannah McCorkle | A Minor | 1 | 8A | 110 BPM | ||
| Again | Ruth Cameron | C Major | 1 | 8B | 114 BPM | ||
| Traces in the Sand | Natalia M. King | A♭ Minor | 3 | 1A | 105 BPM | ||
| A Cigarette and a Silhouette | Mildred Bailey | F Major | 2 | 7B | 102 BPM | ||
| Star Crossed Lovers | Joe Lovano | A♭ Major | 2 | 4B | 130 BPM | ||
| Sweet Georgia Brown | Alberta Hunter | D Minor | 3 | 7A | 131 BPM | ||
| Grey Season | Katherine Kostoff, Gil Goldstein, Steve Cardenas | B♭ Major | 1 | 6B | 171 BPM | ||
| LOOZE - Single Edit | Bévort 3, Pernille Bévort, Espen Laub von Lillienskjold, Morten Ankarfeldt | B♭ Minor | 4 | 3A | 101 BPM | ||
| Sober Now | Paloma Dineli Chesky | D♭ Minor | 3 | 12A | 173 BPM | ||
| Leave Me Here | Triosence | B♭ Minor | 3 | 3A | 104 BPM | ||
| Beat The Meatles | Jennifer Leitham | A♭ Major | 4 | 4B | 97 BPM | ||
| No Time at All | Lisa Marie Simmons, Marco Cremaschini, Dorian Holley, Manuel Caliumi, Federico Negri, Marco Cocconi | E♭ Major | 6 | 5B | 120 BPM | ||
| The Best Things in Life Are Free | Scott Hamilton, Karin Krogh | E♭ Major | 4 | 5B | 112 BPM | ||
| Everytime We Say Goodbye | Karrin Allyson | D♭ Major | 3 | 3B | 76 BPM | ||
| You & I (feat. Margaret Glaspy) | Éyal Hai, Margaret Glaspy | E Major | 3 | 12B | 132 BPM | ||
| All the Good Girls Go to Hell | Lisa Bassenge | A♭ Minor | 3 | 1A | 168 BPM | ||
| El Cajon (feat. The Los Angeles Vocal Alliance, Rich Bullock, Jonathan Dane, Larry Williams, Ken Peplowski & Jennifer Leitham) | Scott Whitfield, The Los Angeles Vocal Alliance, Rich Bullock, Jonathan Dane, Larry Williams, Ken Peplowski, Jennifer Leitham | D Minor | 6 | 7A | 112 BPM | ||
| Song to Comfort | Marie Mørck | F Major | 1 | 7B | 118 BPM | ||
| Garden of Delight | Jan Lundgren Trio | B Major | 3 | 1B | 104 BPM | ||
| L.O.V.E | Elisabeth Kontomanou, Geri Allen | F Major | 1 | 7B | 72 BPM | ||
| Annabelle | Macy Gray | C Major | 2 | 8B | 71 BPM | ||
| Solitude | Indra Rios-Moore | C Major | 1 | 8B | 126 BPM | ||
| They Didn't Believe Me | Johnny Hartman | C Major | 2 | 8B | 71 BPM | ||
| Blue | Melanie De Biasio, Teun Verbruggen, Axel Gilain, Pascal Paulus, Pascal Mohy, Steve Houben | A Minor | 3 | 8A | 99 BPM | ||
| Talk to Me Baby / Long Gone Blues | Blue Harlem | A♭ Major | 7 | 4B | 115 BPM |