"Inbound Part 2" by Joel Nielsen had its release date on September 1, 2012. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 30 in Black Mesa Soundtrack by Joel Nielsen. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Inbound Part 2 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Inbound Part 2 by Joel Nielsen is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shadow of the Reefback | Simon Chylinski | D Major | 1 | 10B | 121 BPM | ||
| Sundew | Blackhawk Rescue Mission 5 | F Major | 3 | 7B | 120 BPM | ||
| Apprehension (Mesa Remix) | Joel Nielsen | B♭ Minor | 3 | 3A | 111 BPM | ||
| Blast Pit 1 | Joel Nielsen | F Major | 1 | 7B | 67 BPM | ||
| Resynthesis | Sam Hulick | A Minor | 4 | 8A | 120 BPM | ||
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM | ||
| Tango Line | Net-Zone | B Minor | 8 | 10A | 128 BPM | ||
| Irritations | Tonspender | A♭ Major | 8 | 4B | 120 BPM | ||
| The Hard Road | Cliff Martinez | G Major | 7 | 9B | 144 BPM | ||
| The Cytokine Storm | Avalanche Studios | D♭ Major | 5 | 3B | 160 BPM | ||
| Shu'ulathoi | Valve | F Minor | 5 | 4A | 129 BPM | ||
| Every Road an Exit | Cliff Martinez | B♭ Minor | 7 | 3A | 202 BPM | ||
| Convergence | Joel Nielsen | C Major | 4 | 8B | 83 BPM | ||
| Solitary Day | Pawel Blaszczak | G Minor | 3 | 6A | 160 BPM | ||
| Surface Tension 3 | Joel Nielsen | E Major | 7 | 12B | 103 BPM | ||
| Forgotten Moon | Arnaud Roy | A♭ Major | 4 | 4B | 144 BPM | ||
| Frameshift & Starports: Frameshift Suite - Sixth Movement – Canes Venatici | Erasmus Talbot | A Minor | 6 | 8A | 128 BPM | ||
| Respite (Definitive Edition) | Joel Nielsen | C Minor | 3 | 5A | 36 BPM | ||
| Driven by DNA (Cravers Theme) | Arnaud Roy | E♭ Major | 4 | 5B | 72 BPM | ||
| Space Aliens | Martin Stig Andersen | C Major | 2 | 8B | 87 BPM | ||
| Breaching the Veil | Ed Harrison | B♭ Minor | 6 | 3A | 133 BPM | ||
| Resonance | Joel Nielsen | C Minor | 2 | 5A | 85 BPM | ||
| Vague Voices | Valve | E♭ Major | 3 | 5B | 67 BPM | ||
| Passage | C. Paul Johnson | D♭ Major | 3 | 3B | 140 BPM | ||
| Singapore Ambient (Part 2) | Michael McCann | B♭ Minor | 3 | 3A | 86 BPM |