Imogen Holst, BBC Concert Orchestra, Alice Farnham's 'Suite for String Orchestra: II. Fugue' had a release date set for September 6, 2024. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Suite for String Orchestra: II. Fugue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Imogen Holst's "Imogen Holst: Discovering Imogen" album is number 12 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Suite for String Orchestra: II. Fugue is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite for String Orchestra: II. Fugue by Imogen Holst, BBC Concert Orchestra, Alice Farnham to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| Requiem: VIII. In paradisum | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough | D Major | 0 | 10B | 83 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| 7 Magnificat Antiphons: No. 1, O Weisheit | Arvo Pärt, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 124 BPM | ||
| All-night Vigil, Op. 37: No. 7, Glory to God in the Highest | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | A♭ Major | 1 | 4B | 89 BPM | ||
| Double Concerto for 2 Violins, Op. 49, H. 175: III. Variations on a Ground | Gustav Holst, Emanuel Hurwitz, Kenneth Sillito, English Chamber Orchestra, Imogen Holst | C Major | 2 | 8B | 136 BPM | ||
| To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
| Yhden asian kerrallaan | Aki Yli-Salomäki, Somnium Ensemble, Elisa Huovinen | A♭ Minor | 0 | 1A | 62 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Heyr þú oss himnum á | Anna Thorvaldsdottir, Singer Pur | D Minor | 0 | 7A | 67 BPM | ||
| Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 179 BPM | ||
| Echoes of the Lost World | Darius Lim, Voices of Singapore Children’s Choir, Gabriel Hoe, Richard Ter, Kangren Chen, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| O Weisheit | Arvo Pärt, Daniel Taylor | A Major | 0 | 11B | 74 BPM | ||
| French: Dormant | Jacob French, Joel Cohen, Boston Camerata | D Major | 2 | 10B | 97 BPM | ||
| The Isle Is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Holst: A Moorside Suite: III. March | Gustav Holst, Imogen Holst/BMC (Oxford) Band, BMC (Oxford) Band, Imogen Holst | C Major | 4 | 8B | 106 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | ||
| The Owl | Toby Young, Apollo5 | F Major | 2 | 7B | 103 BPM | ||
| O nata lux | Lucy Walker, St Martin's Voices, Andrew Earis | F Major | 1 | 7B | 128 BPM | ||
| Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
| Sāvitri, Op. 25: Then enter, Lord; dwell with Me | Gustav Holst, Janet Baker, Thomas Hemsley, English Chamber Orchestra, The Purcell Singers, Imogen Holst | F Major | 1 | 7B | 76 BPM |