"Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion" by Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit had its release date on January 1, 1980. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Saint-Saëns: Le Carnaval des Animaux; Phaéton; Danse Macabre etc.". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion by Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rossini: La Pie voleuse: Ouverture | Gioachino Rossini, Sergiu Celibidache, Munich Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM | ||
| L'Arlésienne Suite No.2: Farandole | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 4 | 10B | 85 BPM | ||
| Symphonie n°9 en mi mineur, Op. 95 du nouveau monde: Largo | Antonín Dvořák, Slovak Philharmonic, Kurt Redel | D♭ Major | 0 | 3B | 49 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
| Études: No. 6 | Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
| Carmina Burana: VI. Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
| Nocturne No. 2 In E Flat, Op. 9 No. 2 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 133 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
| Tarantelle, Op. 6 | Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin | A Minor | 1 | 8A | 149 BPM | ||
| Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
| Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 1 | 12B | 95 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Hungarian Dance No. 4 in F sharp minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 1 | 4A | 70 BPM | ||
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
| Le Lac des Cygnes, Op.20: Acte IV, Scène 1 | L'Orchestre National du Bolchoï, Algys Juraitis | B♭ Major | 1 | 6B | 81 BPM | ||
| Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
| Saint-Saëns: Allegro appassionato, Op. 70 | Camille Saint-Saëns, Bertrand Chamayou | D Major | 1 | 10B | 101 BPM | ||
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 0 | 5A | 71 BPM | ||
| Hungarian Dance No.2 in D minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | D Minor | 1 | 7A | 119 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D♭ Minor | 1 | 12A | 87 BPM | ||
| Ancient Airs & Dances, Suite I, P. 109: I. Balletto detto "Il conte Orlando" (Molinaro) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 120 BPM | ||
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM |