On July 15, 1974, the song "Sala Main To Sahab Ban Gaya" was released by Kishore Kumar, Pankaj Mitra, S. D. Burman. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 4 in the song's album "Sagina". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Sala Main To Sahab Ban Gaya's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sala Main To Sahab Ban Gaya by Kishore Kumar, Pankaj Mitra, S. D. Burman having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suraj Mukhi Mukhda Tera | Kalyanji-Anandji, Suresh Wadkar, Sadhana Sargam | E♭ Major | 7 | 5B | 150 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Mitwa Bole Meethe Bain | Bhupinder Singh, R. D. Burman | G Major | 2 | 9B | 149 BPM | ||
| Kitna Badal Gaya Insaan - Dekh Tere Sansar | Pradeep Kumar | F♯ Major | 5 | 2B | 68 BPM | ||
| My Name Is Lakhan | Mohammed Aziz, Anuradha Paudwal, Nitin Mukesh, Laxmikant–Pyarelal | B♭ Minor | 9 | 3A | 192 BPM | ||
| Chhota Sa Ghar Hoga | Kishore Kumar, Usha Mangeshkar, Salil Chowdhury | G Major | 3 | 9B | 73 BPM | ||
| Wahan Kaun Hai Tera Musafir | S. D. Burman | F♯ Major | 3 | 2B | 94 BPM | ||
| Haal Kaisa Hai Janab Ka | Asha Bhosle, Kishore Kumar | F Major | 4 | 7B | 131 BPM | ||
| Gori Teri Jawani Pe | Kalyanji-Anandji, Kishore Kumar | A♭ Minor | 8 | 1A | 134 BPM | ||
| Commentry Tabassum And Khwab Ho Tum Ya Koi Haqeeqat | Tabassum, Kishore Kumar, S. D. Burman | G Major | 4 | 9B | 121 BPM | ||
| Chandni Aai Ban Ke Pyar | Shamshad Begum, Shakeel Badayuni | D Major | 4 | 10B | 88 BPM | ||
| Ek Din Bik Jayega Mati Ke Mol - Sad | Mukesh, Sushma Shrestha | F♯ Major | 5 | 2B | 103 BPM | ||
| Madhuban Khushboo Deta Hai - Duet | K. J. Yesudas, Anuradha Paudwal | D♭ Major | 4 | 3B | 126 BPM | ||
| Kisi Patthar Ki Murat Se | Mahendra Kapoor | F♯ Minor | 4 | 11A | 122 BPM | ||
| Commentry Tabassum And Zindagi Pyar Ka Geet Hai | Tabassum, Kishore Kumar, Usha Khanna | F♯ Major | 4 | 2B | 87 BPM | ||
| Ore Mon Pagol Tui | Kanu Bhattacharya, Kishore Kumar | F♯ Major | 4 | 2B | 178 BPM | ||
| Tadbeer Se Bigdi Huyi Taqdeer | Geeta Dutt | A♭ Minor | 3 | 1A | 123 BPM | ||
| Hai Apna Dil To Aawara - Sad | Hemant Kumar, S. D. Burman | G Major | 3 | 9B | 107 BPM | ||
| Gaadi Bula Rahi Hai | Kishore Kumar, Laxmikant–Pyarelal | F Major | 6 | 7B | 103 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Dekho Mera Dil Machal Gaya | Sharada, Shailendra | A Major | 7 | 11B | 130 BPM | ||
| Phaili Hui Hai Sapnon Ki Bahen | Lata Mangeshkar, S. D. Burman | E Major | 5 | 12B | 78 BPM | ||
| Surmai Shaam | Suresh Wadkar, Gulzar | D Major | 3 | 10B | 148 BPM | ||
| Tera Naam Liya | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | F Minor | 8 | 4A | 131 BPM | ||
| Doli Mein Beethaye Ke | S. D. Burman, R. D. Burman | E Major | 4 | 12B | 117 BPM |