Fat Night's 'On The Run' had a release date set for October 19, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Fat Night's "Lazy Days" album is number 1 out of 6. On The Run is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of On The Run by Fat Night to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thoughts | Fat Night | D♭ Major | 6 | 3B | 158 BPM | ||
| Palisades | Nick Dorian | D♭ Major | 7 | 3B | 145 BPM | ||
| Highly Compatible | The Motet | F Minor | 7 | 4A | 114 BPM | ||
| Rouse Yourself | JC Brooks & The Uptown Sound | F Major | 5 | 7B | 98 BPM | ||
| Welcome to Detroit / The Diary | Abstract Orchestra | D♭ Major | 7 | 3B | 145 BPM | ||
| Broadway | Myron & E | A Minor | 5 | 8A | 125 BPM | ||
| Road Funk | Euforquestra | G Major | 8 | 9B | 112 BPM | ||
| Stay the Same | Huon Kind | B♭ Minor | 5 | 3A | 84 BPM | ||
| Be There | Woody and Jeremy | G Major | 5 | 9B | 79 BPM | ||
| 死者より | Shintaro Sakamoto | C Major | 7 | 8B | 106 BPM | ||
| Feelin' It Out | Champagne Lane | C Minor | 9 | 5A | 154 BPM | ||
| How Long... | Cbdb | D♭ Minor | 8 | 12A | 170 BPM | ||
| B.T. | The Dip | E Major | 6 | 12B | 91 BPM | ||
| Somewhere to Fall | Cbdb | D♭ Major | 9 | 3B | 122 BPM | ||
| Rube Goldberg Machine | Matt Duncan | A Major | 7 | 11B | 135 BPM | ||
| You Don’t Want Me | Wesley Bright, Wesley Bright and the Honeytones, Leroi Conroy | D♭ Major | 6 | 3B | 98 BPM | ||
| Don't Wanna Try | Saskwatch | F Minor | 8 | 4A | 187 BPM | ||
| Nibirian Sun | Atlantis Aquarius | E Major | 7 | 12B | 100 BPM | ||
| Bread and Butter | Bhi Bhiman | E Major | 9 | 12B | 106 BPM | ||
| Poor Boy | Willie and the Giant | A Major | 4 | 11B | 90 BPM | ||
| Watch Who You're Talking To | BROS | C Major | 4 | 8B | 119 BPM | ||
| Long Weekend | Fat Night | A Minor | 3 | 8A | 94 BPM | ||
| Death Or Devotion | The Motet | B♭ Minor | 5 | 3A | 90 BPM | ||
| Got To Let Go | The Bees | D Minor | 9 | 7A | 103 BPM | ||
| Counterfeit | Spree Wilson | F♯ Minor | 4 | 11A | 114 BPM |