角松 敏生's 'Let's Get Real - Type-1 PGM Ver+1' had a release date set for May 18, 2022. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in 角松 敏生's "MILAD #2" album is number 2 out of 4. On top of that, Japan appears to be the country where this track was created. Based on our statistics, Let's Get Real - Type-1 PGM Ver+1's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Let's Get Real - Type-1 PGM Ver+1 by 角松 敏生 to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| GROWIN' UP | Misato Watanabe | F Major | 10 | 7B | 147 BPM | ||
| GOLDEN CITY | NONA REEVES, HITOMITOI | G Major | 7 | 9B | 102 BPM | ||
| 深夜の自販機 | aya tune radio | C Major | 7 | 8B | 82 BPM | ||
| 冷たくされても | Yasuyuki Okamura | G Major | 8 | 9B | 119 BPM | ||
| Limit | 横山 輝一 | A Major | 4 | 11B | 90 BPM | ||
| TILL IT'S END (THE CITY LAW) | 小山 水城 | G Major | 8 | 9B | 142 BPM | ||
| TINY STEPS | Skoop On Somebody | G Major | 9 | 9B | 130 BPM | ||
| スノー・ホワイトの街 | 中山美穂 | C Major | 6 | 8B | 116 BPM | ||
| スタミナ | Kenji Hayashida | A♭ Minor | 9 | 1A | 120 BPM | ||
| ラッキー・ラブ | Kanako Wada | A♭ Major | 9 | 4B | 97 BPM | ||
| NEVER GONNA MISS YOU - 2024 Remix | 吉沢梨絵, 角松 敏生 | D Major | 9 | 10B | 140 BPM | ||
| CHEERS FOR YOU | 中山美穂 | D♭ Major | 9 | 3B | 120 BPM | ||
| ぼくのままで夏模様 | Chill City Pop | D♭ Minor | 6 | 12A | 121 BPM | ||
| 遊びにきてね | PSY・S[saiz] | C Major | 9 | 8B | 165 BPM | ||
| 缶ビ-ルとデニムシャツ | Anri | B Minor | 9 | 10A | 116 BPM | ||
| 現在、この瞬間から | Yuji Oda | A♭ Major | 9 | 4B | 97 BPM | ||
| MAMA UDONGO ~まぶたの中に…~ | Toshinobu Kubota | C Minor | 8 | 5A | 83 BPM | ||
| Summer Scenery | 角松 敏生 | A Major | 8 | 11B | 116 BPM | ||
| TSUYUAKE | 角松 敏生 | G Major | 9 | 9B | 90 BPM | ||
| missing summer | GOOD BYE APRIL | C Major | 9 | 8B | 208 BPM | ||
| 真夜中にベルが2度鳴って | EPO | D Major | 5 | 10B | 206 BPM | ||
| It isn't you | 角松 敏生 | F♯ Minor | 3 | 11A | 130 BPM | ||
| Ready Steady Go! | Mariko Nagai | D♭ Minor | 9 | 12A | 152 BPM | ||
| ふたりの夏物語 NEVER ENDING SUMMER | Junk Fujiyama | C Major | 8 | 8B | 114 BPM | ||
| Nobody Knows | KATSUMI | D Major | 7 | 10B | 101 BPM |