Dick Curless's 'When Dad Was Around' had a release date set for January 1, 1968. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Long Lonesome Road". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The popularity of When Dad Was Around is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With When Dad Was Around by Dick Curless having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roll Big Wheels Roll | Vernon Oxford | E Major | 6 | 12B | 166 BPM | ||
| Tennessee Stud | Jimmie Driftwood | F Major | 4 | 7B | 95 BPM | ||
| House on a Mountain | Eddie Noack | F Major | 6 | 7B | 129 BPM | ||
| A Woman Half My Age | Kitty Wells | B Major | 3 | 1B | 123 BPM | ||
| Twice The Lovin' (In Half The Time) | Jean Shepard | G Major | 4 | 9B | 175 BPM | ||
| Break My Mind | George Hamilton IV | F Major | 4 | 7B | 130 BPM | ||
| I'm Walking the Dog | Webb Pierce | C Major | 3 | 8B | 96 BPM | ||
| There's No Reason To Be Living (Since You're Gone) | Stonewall Jackson | G Major | 3 | 9B | 112 BPM | ||
| She's My Rock | Stoney Edwards | F Major | 0 | 7B | 75 BPM | ||
| There Stands the Glass | Webb Pierce | F Major | 6 | 7B | 129 BPM | ||
| I Must Be Somebody Else You've Known | The International Submarine Band | C Major | 9 | 8B | 107 BPM | ||
| Nineteen Men | Johnny Western | F Major | 6 | 7B | 129 BPM | ||
| Big Wheel Cannonball | Dick Curless | G Major | 6 | 9B | 114 BPM | ||
| A Lover's Question | Del Reeves | G Major | 5 | 9B | 202 BPM | ||
| Cold Lonesome Wind | Wayne Hancock | A Major | 2 | 11B | 136 BPM | ||
| Ein Grabstein überall | Tom Astor, Dick Curless | D Major | 6 | 10B | 104 BPM | ||
| Fourteen Carat Mind | Gene Watson | C Major | 3 | 8B | 81 BPM | ||
| Rise and Shine | Tommy Cash | G Major | 8 | 9B | 110 BPM | ||
| Waiting In The Lobby Of Your Heart | Hank Thompson And His Brazos Valley Boys | G Major | 3 | 9B | 130 BPM | ||
| Invitation to the Blues | Ray Price | E♭ Major | 4 | 5B | 116 BPM | ||
| I Never Picked Cotton | Roy Clark | B Major | 7 | 1B | 95 BPM | ||
| I Ain't Never | Webb Pierce | F Major | 6 | 7B | 129 BPM | ||
| Bottom Of The Bottle | Ira Louvin | A Major | 4 | 11B | 92 BPM | ||
| The Ramblin' Kind | Tommy Cash | B Minor | 7 | 10A | 98 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM |