"Pagliacci, Act. I - Vesti la giubba" by Ruggero Leoncavallo, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna had its release date on January 1, 1995. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Pagliacci, Act. I - Vesti la giubba's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vincerò! by Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna. The song's track number on the album is #8 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Pagliacci, Act. I - Vesti la giubba is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pagliacci, Act. I - Vesti la giubba by Ruggero Leoncavallo, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pagliacci, Act. I - Vesti la giubba being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In The Dark | Armando Trovajoli | C Minor | 3 | 5A | 126 BPM | ||
| Carmina Burana: Veris leta facies | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 0 | 10B | 77 BPM | ||
| Carmina Burana: XXV. O fortuna | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 3 | 6B | 142 BPM | ||
| Un bel di vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | D♭ Major | 2 | 3B | 128 BPM | ||
| Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 3 | 10A | 75 BPM | ||
| Vittoria, mio core! | Giacomo Carissimi, Ramón Vargas | D Major | 2 | 10B | 86 BPM | ||
| Granada - Live at the Llangollen International Musical Eisteddfod, 1995 | Agustín Lara, Luciano Pavarotti, BBC Philharmonic, Leone Magiera | E♭ Major | 1 | 5B | 80 BPM | ||
| Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] | Ruggero Leoncavallo, José Cura, Philharmonia Orchestra | E Minor | 2 | 9A | 88 BPM | ||
| Santa Lucia | Teodoro Cottrau, Enrico Caruso, La Scala | E♭ Major | 1 | 5B | 101 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Paata Burchuladze, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | B♭ Major | 3 | 6B | 76 BPM | ||
| Carmina Burana: In taberna quando sumus | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D♭ Minor | 1 | 12A | 143 BPM | ||
| La Gioconda, Op. 9: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
| Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | F Major | 3 | 7B | 172 BPM | ||
| Nessun dorma! from Turandot | Plácido Domingo | D Major | 4 | 10B | 80 BPM | ||
| Aprile (Orch. Faris) | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | D♭ Major | 2 | 3B | 71 BPM | ||
| Also sprach Zarathustra, Op.30, TrV 176: Prelude (Sonnenaufgang) | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 72 BPM | ||
| Non ti scordar di me (Arr. Mancini) | Ernesto de Curtis, Luciano Pavarotti, Henry Mancini | A Major | 3 | 11B | 86 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
| Me voglio fa' 'na casa (Arr. Chiaramello) | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | G Major | 2 | 9B | 172 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
| La Gioconda / Act 2: Cielo e mar! | Amilcare Ponchielli, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 2 | 5B | 175 BPM | ||
| Vissi d'arte | Maria Callas | D♭ Major | 2 | 3B | 126 BPM | ||
| Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | ||
| Core 'ngrato (1911 Recording) | Enrico Caruso | E♭ Major | 2 | 5B | 70 BPM |