Rik's 'Rêverie in F Major' had a release date set for March 1, 2016. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Romantic Period". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rêverie in F Major is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rêverie in F Major by Rik having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toccata and Fugue in d monor, BWV 565 | London Pops Orchestra, Nelson Corbin | D Minor | 2 | 7A | 68 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 137 BPM | ||
| Le Carnaval des Animaux, R. 125: Akvarium | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | A Minor | 0 | 8A | 82 BPM | ||
| Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude | Iris Azquinezer | G Major | 1 | 9B | 140 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
| Ave Maria in B-Flat Major, S. 558/12 | Rik | C Minor | 5 | 5A | 150 BPM | ||
| Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
| Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Chopin: Fantasie Impromptu #4 In C Sharp Minor, Op. 66 | London Festival Orchestra | D♭ Major | 1 | 3B | 90 BPM | ||
| Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM | ||
| Satie / Orch. Ducros: Gymnopédie No. 1 | Erik Satie, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | G Minor | 0 | 6A | 170 BPM | ||
| Mendelssohn: Venetian Boat Song Op.30 No.6 | Daniel Pollack | F♯ Minor | 0 | 11A | 73 BPM | ||
| Schwanengesang, S. 560 (After F. Schubert): No. 4, Ständchen | Franz Liszt, Péter Nagy | D Major | 0 | 10B | 137 BPM | ||
| L'invitation au château, FP 138: Acte 2: Tango | Francis Poulenc, Eric Le Sage | F Minor | 0 | 4A | 97 BPM | ||
| 3 Gymnopédies: I. Lent et douloureux | Erik Satie, Frank Glazer | G Major | 0 | 9B | 83 BPM | ||
| Carmen: Habanera - Instrumental | Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 136 BPM | ||
| 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
| debussy-Moonlight | Paulina Loseva | D♭ Major | 1 | 3B | 75 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
| Symphony No. 7 Op. 92: II. Allegretto (Beethoven) | Orchestra Di Padova E Del Veneto & Peter Maag | E Minor | 0 | 9A | 128 BPM | ||
| Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
| Messa da Requiem: Dies irae - Tuba mirum | London Philharmonic Orchestra | E♭ Major | 4 | 5B | 88 BPM |