George Jones's ' "Wine (You've Used Me Long Enough)" was released on its scheduled release date, June 4, 1973. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Wine (You've Used Me Long Enough)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Nothing Ever Hurt Me (Half As Bad As Losing You)". In this album, this song's track order is #11. Wine (You've Used Me Long Enough) is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Wine (You've Used Me Long Enough) by George Jones having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jambalaya (On The Bayou) | Hank Williams | G Major | 3 | 9B | 164 BPM | ||
| Chiseled In Stone | Vern Gosdin | E♭ Major | 2 | 5B | 70 BPM | ||
| Forbidden Angel | MEL STREET | F♯ Major | 5 | 2B | 93 BPM | ||
| That's the Way Love Goes | Merle Haggard | A Major | 3 | 11B | 79 BPM | ||
| Pocket Full Of Gold | Vince Gill | F Major | 4 | 7B | 82 BPM | ||
| Heartaches By the Number | Ray Price | B♭ Major | 5 | 6B | 63 BPM | ||
| Mountain Music | Alabama | A Major | 7 | 11B | 110 BPM | ||
| Midnight, Me And The Blues | Mel Tillis | E♭ Major | 3 | 5B | 132 BPM | ||
| 'Til a Tear Becomes a Rose | Lorrie Morgan, Keith Whitley | F Major | 3 | 7B | 104 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| Lead Me On | Conway Twitty, Loretta Lynn | B♭ Major | 3 | 6B | 94 BPM | ||
| The Gospel According to Jones | Eric Lee Beddingfield, George Jones | D Major | 6 | 10B | 118 BPM | ||
| Nothin' But The Taillights | Clint Black | G Major | 8 | 9B | 155 BPM | ||
| I See It Now | Tracy Lawrence | F Major | 4 | 7B | 92 BPM | ||
| Paper Rosie | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| Old Violin | Daryle Singletary | F♯ Major | 6 | 2B | 80 BPM | ||
| Statue Of A Fool | Ricky Van Shelton | C Major | 2 | 8B | 112 BPM | ||
| Stand Up | Mel McDaniel | D Major | 6 | 10B | 164 BPM | ||
| War Is Hell (On the Homefront Too) | T.G. Sheppard | F Major | 5 | 7B | 170 BPM | ||
| She's All I Got | Johnny Paycheck | D Major | 1 | 10B | 68 BPM | ||
| Here's a Quarter (Call Someone Who Cares) | Travis Tritt | G Major | 6 | 9B | 112 BPM | ||
| Once You've Had the Best - Single Version | George Jones | G Major | 3 | 9B | 90 BPM | ||
| The Cold Hard Truth | George Jones | E Major | 4 | 12B | 78 BPM | ||
| Her Name Is... | George Jones | G Major | 4 | 9B | 82 BPM | ||
| I'll Leave This World Loving You | Ricky Van Shelton | F Major | 3 | 7B | 87 BPM |