Kamal Khan, Vivek Shauq's 'Mere Aar Vi Eh' had a release date set for June 24, 2025. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 2 out of 7 in Antaryami by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Mere Aar Vi Eh's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Mere Aar Vi Eh by Kamal Khan, Vivek Shauq is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eh Tanhayi | Bir Singh, Gurmoh | E Minor | 7 | 9A | 120 BPM | ||
| Shakal Vikha | Tahseen Sakina | D♭ Major | 8 | 3B | 156 BPM | ||
| Akaal Guru | 1313 | E Minor | 2 | 9A | 80 BPM | ||
| Tu Mera Jeevan Asra | Sant Nirankari Mission, Bobby Verma Ji | F♯ Major | 2 | 2B | 150 BPM | ||
| Ehsaas | Kamal Khan | G Minor | 5 | 6A | 82 BPM | ||
| Har Saah Tera Naam | Sonu | A♭ Minor | 5 | 1A | 140 BPM | ||
| Musafara | Subash Brahamanu, Parkash Nagotra, Silma Devi | E Minor | 5 | 9A | 96 BPM | ||
| Lazmi | Kamal Khan, Rinky Katyal | D♭ Major | 8 | 3B | 76 BPM | ||
| Royal Beauty | Jassi Virk, Kamal Khan, Ustaad | D Major | 9 | 10B | 107 BPM | ||
| Ibadat | Kamal Khan | F Minor | 7 | 4A | 160 BPM | ||
| Tera Ik Aasara Hove | Manya Narang, Vinod Gandharv | C Major | 1 | 8B | 82 BPM | ||
| Kar Kirpa Mehra De Saiyan | Sanjay Jha | C Major | 5 | 8B | 140 BPM | ||
| Nachangi Te Gavangi | Mudita, Vinod Gandhrav | A♭ Minor | 5 | 1A | 140 BPM | ||
| Maa Mil Gayi | Mani Ladla | F♯ Minor | 9 | 11A | 140 BPM | ||
| Taaryan Heth Utaara | Manpreet Singh | C Major | 9 | 8B | 152 BPM | ||
| Chalugi Tere Sang Rasiya | Chitra Vichitra Ji Maharaj | A Major | 8 | 11B | 134 BPM | ||
| Guruji Ghar Aavangein | Nikkhil Beri, Subrat Sharma | G Minor | 4 | 6A | 120 BPM | ||
| “Alif Agg Lagi” Bada Ishq Ishq Tu" | Soul-Stirring Sufi Punjabi Kalam | Hazrat Baba Bulleh Shah | Sufiana Music | A♭ Minor | 5 | 1A | 140 BPM | ||
| Teri Talliyan | Shubhdeep Gandhi | F♯ Major | 3 | 2B | 120 BPM | ||
| Voice Of Hills | The Turbo, Raj Fatehpur | E♭ Minor | 7 | 2A | 150 BPM | ||
| Madad Nu Aa | Shaheen Production, Arslan John | C Minor | 5 | 5A | 140 BPM | ||
| Yaad | Masha Ali | E Major | 8 | 12B | 136 BPM | ||
| Tere Warga | Kamal Khan, Afsar, KV Singh | A♭ Minor | 5 | 1A | 140 BPM | ||
| Fakeer | Baba Gulab Singh | D Minor | 4 | 7A | 90 BPM | ||
| Wakhra Ishq | Anjum Hussain | D♭ Major | 6 | 3B | 82 BPM |