Gregory Abbott's 'Crazy Over You' had a release date set for October 1, 1988. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gregory Abbott's "I'll Prove It to You" album is number 6 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of Crazy Over You is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Crazy Over You by Gregory Abbott to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Message | Miles Jaye | G Minor | 4 | 6A | 142 BPM | ||
| Fallin' - 1960's Motown Soul Version | Jazz Cover Lounge | B Minor | 4 | 10A | 175 BPM | ||
| Where Is My Love? | El DeBarge | F Minor | 4 | 4A | 82 BPM | ||
| Soul | Ellen Bailey | B Major | 2 | 1B | 183 BPM | ||
| Take Me Where You Want To | Gerald Alston | G Minor | 7 | 6A | 124 BPM | ||
| Special Lady | Ray, Goodman & Brown | A Major | 5 | 11B | 84 BPM | ||
| Slow Motion - Edit | Gerald Alston | B Minor | 5 | 10A | 63 BPM | ||
| For Come Ya (Before we came here) | Gregory Abbott | C Major | 7 | 8B | 116 BPM | ||
| How Deep Is Your Love | Gregory Abbott | F Minor | 5 | 4A | 106 BPM | ||
| Nobody Else | Rodney Mannsfield | F Major | 6 | 7B | 94 BPM | ||
| Do Me Baby | Meli'sa Morgan | B♭ Major | 3 | 6B | 125 BPM | ||
| Reasons | Miki Howard | C Major | 3 | 8B | 113 BPM | ||
| Falling in Love Again | Stacy Lattisaw, Johnny Gill | E♭ Major | 4 | 5B | 135 BPM | ||
| Why Oh Why | McFadden & Whitehead | C Major | 6 | 8B | 128 BPM | ||
| Street Opera, Pt. 1: Working Man | Ashford & Simpson | A Minor | 4 | 8A | 140 BPM | ||
| In Love With Love | Marva Hicks | G Major | 6 | 9B | 158 BPM | ||
| Mood For Lovin | Ray, Goodman & Brown | G Major | 4 | 9B | 88 BPM | ||
| When You Touch Me | Skyy | B Major | 3 | 1B | 113 BPM | ||
| Take Good Care of Me | Jonathan Butler | A♭ Major | 5 | 4B | 149 BPM | ||
| Rise to the Occasion | Jermaine Jackson, La La | A Major | 7 | 11B | 92 BPM | ||
| Holding On | Lillo Thomas | C Major | 4 | 8B | 97 BPM | ||
| If You Really Love Her | Milira | G Major | 7 | 9B | 96 BPM | ||
| Until You | Dazz Band | D Major | 5 | 10B | 82 BPM | ||
| Go On and Cry | Bloodstone | B Minor | 5 | 10A | 164 BPM | ||
| If You Wanna Make Love (Come 'Round Here) | Smokey Robinson | C Major | 5 | 8B | 114 BPM |