Volker Milch's ' "Der Digitale Wahn" was released on its scheduled release date, December 8, 2017. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Volker Milch's "Lautlos" album is number 9 out of 9. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Der Digitale Wahn's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Der Digitale Wahn by Volker Milch to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fake | Slave To Sin | B♭ Minor | 10 | 3A | 135 BPM | ||
| It's OK To Be Human | Alien Skin | F Major | 8 | 7B | 150 BPM | ||
| Unbreakable Queen | Endanger, Kiara M.E. | C Major | 9 | 8B | 134 BPM | ||
| Pied Pipers | Wiegand | E Minor | 9 | 9A | 127 BPM | ||
| Discover | AUDIOCALL | A♭ Minor | 7 | 1A | 87 BPM | ||
| The World I Know | J.H.M | F Major | 4 | 7B | 102 BPM | ||
| Look around you | Vandenhengel | F♯ Minor | 4 | 11A | 128 BPM | ||
| A Heart in the Dark | X Marks The Pedwalk | G Major | 6 | 9B | 128 BPM | ||
| Artificial Emotion | King Luan | B♭ Minor | 9 | 3A | 130 BPM | ||
| Follow The Light | KINGDOMDK | B Major | 2 | 1B | 128 BPM | ||
| Haunted Hearts (Leæther Strip Remix) | Metamorph, Leæther Strip | B♭ Minor | 9 | 3A | 130 BPM | ||
| Porcelain - White Remix | Eleanor Collides, Maira 3 | C Major | 5 | 8B | 124 BPM | ||
| I Always Come Through | S.J. Armstrong | C Minor | 7 | 5A | 119 BPM | ||
| Pixelated - Punx Soundcheck Remix | Marc Almond, Starcluster | B♭ Minor | 9 | 3A | 130 BPM | ||
| New Europeans - Extended Re-Mix | Ultravox | A Major | 6 | 11B | 178 BPM | ||
| Hold Tight - Rotersand Remix | j:dead, Rotersand | B♭ Minor | 8 | 3A | 113 BPM | ||
| Cyborgs At Night | Silent Cure | D Major | 8 | 10B | 120 BPM | ||
| Space In The Cab (Tom Sharkett Remix) | The Itch, Tom Sharkett | F♯ Minor | 9 | 11A | 125 BPM | ||
| 57 (Bridges I Burn) | Fate Inc. | E♭ Major | 8 | 5B | 118 BPM | ||
| Now and Eternity | Scratch Massive, Daniel Agust, Maud Geffray | B♭ Minor | 9 | 3A | 130 BPM | ||
| The Great Disruptor | Can Robots Dream | B♭ Minor | 9 | 3A | 130 BPM | ||
| Tonight | Volker Milch | B♭ Major | 6 | 6B | 180 BPM | ||
| Until Then | Dave Huk | A Major | 9 | 11B | 140 BPM | ||
| discothèque | Siamese Elephants | B♭ Minor | 9 | 3A | 130 BPM | ||
| A Light Here and A Light There | Roderiko Pop, Boege | A Minor | 8 | 8A | 120 BPM |