Lowell Hopper's ' "See the Light" was released on its scheduled release date, January 29, 2021. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "No Turning Back". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, See the Light is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With See the Light by Lowell Hopper having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bridgetown | Jayson Tipp | B♭ Major | 7 | 6B | 110 BPM | ||
| Eye Contact | Jay Beckenstein | F Minor | 6 | 4A | 88 BPM | ||
| Morning In A Distant Land | Joe McBride | B♭ Major | 5 | 6B | 100 BPM | ||
| Glow | Ilya Serov | A♭ Major | 5 | 4B | 101 BPM | ||
| Chopsticks | Jeff Lorber | E Minor | 8 | 9A | 96 BPM | ||
| Spring Time | Jeffery Smith | D♭ Major | 3 | 3B | 98 BPM | ||
| Keep It Moving | JJ Sansaverino | D Major | 6 | 10B | 103 BPM | ||
| On Solid Ground | Lowell Hopper | C Minor | 6 | 5A | 75 BPM | ||
| Marimba Island | Paula Atherton | B Minor | 6 | 10A | 82 BPM | ||
| Grass Roots | Joyce Cooling | D Major | 5 | 10B | 115 BPM | ||
| So Much | Lisa Addeo | C Minor | 7 | 5A | 80 BPM | ||
| Deep Blue C | Lisa Addeo, Ryan Montano | B♭ Minor | 7 | 3A | 99 BPM | ||
| The Standard (feat. Jay Soto) | Jonathan Fritzén, Jay Soto | C Major | 7 | 8B | 97 BPM | ||
| Smooth Operator | Greg Adams | F Minor | 5 | 4A | 111 BPM | ||
| Project 10 | Mike Murray | E♭ Minor | 6 | 2A | 96 BPM | ||
| 88 Likes | Brian Clay | B♭ Minor | 4 | 3A | 174 BPM | ||
| Firefly | Tom Grant | C Major | 4 | 8B | 99 BPM | ||
| Urban Echo Fragments | Lorin Bradd | D Minor | 6 | 7A | 170 BPM | ||
| Workin' | Jazz Holdouts | F Major | 7 | 7B | 100 BPM | ||
| Leave It to the Gods | D.S. Wilson | B Minor | 8 | 10A | 96 BPM | ||
| Charlemagne | Brian Tarquin | F Major | 6 | 7B | 94 BPM | ||
| Meant to Be | Brendan Rothwell | E Minor | 8 | 9A | 116 BPM | ||
| Manhattan Nights (Radio Edit) | Stephen Duros, Ken Freeman, Larry Crowe, Lenny Castro | G Major | 7 | 9B | 110 BPM | ||
| After Party | David P Stevens | C Major | 7 | 8B | 88 BPM | ||
| Love's Taken Over | Nate Harasim, Jason Rahn, Jay Soto | E Minor | 8 | 9A | 172 BPM |