Hariharan, R. D. Burman's ' "Ganpati Bappa Morya" was released on its scheduled release date, July 29, 1983. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 6 in Dard Ka Rishta by R. D. Burman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Ganpati Bappa Morya is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ganpati Bappa Morya by Hariharan, R. D. Burman is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sukhkarta Dukhharta | Amitabh Bachchan | D♭ Major | 7 | 3B | 105 BPM | ||
| Raghuvar Tumko Meri Laaj - Ankahee / Soundtrack Version | Bhimsen Joshi | B Major | 8 | 1B | 165 BPM | ||
| Jara Itna Bata De | Vikas Bhukaniya | F♯ Major | 5 | 2B | 93 BPM | ||
| Voice Over And Watan Ki Raah Mein | Seema Alimchandani, Mohammed Rafi, H Khan Mastana | B Major | 4 | 1B | 109 BPM | ||
| Karpur Gauram Karunaavtaaram | Nirupama Dey | F Major | 3 | 7B | 120 BPM | ||
| Mere Man Ke Andh Tamas Mein, Pt. 1 | Jagjit Singh | C Minor | 3 | 5A | 73 BPM | ||
| Maa Baap Ko Mat Bhoolna | Rajesh Chandra | C Minor | 2 | 5A | 109 BPM | ||
| Shakti De Maa - Mata Ka Jagrata | Ram Shankar | E Major | 7 | 12B | 84 BPM | ||
| Man Tera Mandir Hai - Mata Ka Jagrata | Kavita Paudwal | G Major | 2 | 9B | 71 BPM | ||
| Kunj Bihari Pitambar Dhari | Osman Meer | F Major | 5 | 7B | 127 BPM | ||
| Ram Dhun Lagi | Ravindra Jain, Hariharan | E Minor | 8 | 9A | 95 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Shabri Magan Hai Ram Bhajan Mein | Tripti Shakya | F Minor | 9 | 4A | 80 BPM | ||
| Meri Raksha Karo Bajrangbali | Babla Mehta | E Major | 7 | 12B | 132 BPM | ||
| Kabhi Dhoop Kabhi Chhaon | Pradeep Kumar | D♭ Minor | 2 | 12A | 107 BPM | ||
| Bhagavad Gita - Adhyay, Pt. 15 | Shrirang Bhave | E♭ Major | 2 | 5B | 145 BPM | ||
| Sabne Tumhein Pukara Shree Ram Ji | Hariharan | A♭ Minor | 4 | 1A | 86 BPM | ||
| Shiv Sumiran Se Subah Shuru Ho | Hariharan | D♭ Major | 6 | 3B | 138 BPM | ||
| Mujhe Gale Se Lga Lo | Giriraj Kumar | D♭ Major | 8 | 3B | 110 BPM | ||
| Swarg Se Sunder Bhawan Hai Maa Ka (From "Aa Gayi Chitthi Mata Ki") | Sonu Nigam | F♯ Major | 8 | 2B | 142 BPM | ||
| Usne Bade Andaz Se | Pankaj Udhas | E Major | 5 | 12B | 88 BPM | ||
| Pital Ki Mori Gagri | Parveen Sultana, Minoo Purushottam | D Major | 4 | 10B | 80 BPM | ||
| Gurubrahma Guruvishnu Gurudevo Maheswara - Shree Datta Stuti | Mandhar apte | F♯ Minor | 6 | 11A | 172 BPM | ||
| Shreeman Narayan Narayan | Tara Devi | A♭ Major | 8 | 4B | 147 BPM | ||
| Samay Ka Pahiya | Vishal-Shekhar, Hariharan, Sukhwinder Singh | A♭ Major | 5 | 4B | 80 BPM |