On July 15, 2015, the song "Till My Days Are Gone" was released by Bitty McLean, Sly & Robbie. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bitty McLean's "Heart Mind Soul" album is number 1 out of 6. On top of that, France appears to be the country where this track was created. Based on our statistics, Till My Days Are Gone's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Till My Days Are Gone by Bitty McLean, Sly & Robbie to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tell It Like It Is | Stevie Face | F Major | 5 | 7B | 80 BPM | ||
| Don't Stay Away | Deborahe Glasgow | D Major | 4 | 10B | 98 BPM | ||
| Don't Leave Me Lonely | Peter Spence | F♯ Minor | 5 | 11A | 79 BPM | ||
| In My Heart | Ginger Williams | C Major | 4 | 8B | 95 BPM | ||
| Goodnight My Love (Medley) | Ambelique | B♭ Minor | 6 | 3A | 80 BPM | ||
| Girl On the Side | Janet Lee Davis | F Minor | 7 | 4A | 80 BPM | ||
| Missing You | Ambelique | G Major | 3 | 9B | 82 BPM | ||
| Just My Imagination | Peter Spence | C Major | 5 | 8B | 76 BPM | ||
| Black Is Our Colour | John McLean | F Minor | 5 | 4A | 146 BPM | ||
| Lady of Magic | Bunny Maloney, Mudies' All Stars | F♯ Major | 6 | 2B | 126 BPM | ||
| For You I Will | Fiona | B♭ Major | 6 | 6B | 147 BPM | ||
| Channel One In Dub | Sly & Robbie | E Minor | 5 | 9A | 132 BPM | ||
| I've Got A Joy | Fred Locks | B Minor | 5 | 10A | 76 BPM | ||
| With You Boy | Kofi Ayisi | G Major | 6 | 9B | 133 BPM | ||
| Love Is Overdue | Kashief Lindo | F♯ Major | 6 | 2B | 153 BPM | ||
| Sugar Love | Vivian Jones | G Major | 6 | 9B | 85 BPM | ||
| Love Can Take U Higher | Roger Robin | A Major | 5 | 11B | 77 BPM | ||
| Wide Awake In A Dream | Barry Biggs | B Minor | 7 | 10A | 131 BPM | ||
| Real Issues | Jahmali | F Major | 6 | 7B | 83 BPM | ||
| Make It Up To You | J.C. Lodge | D♭ Minor | 6 | 12A | 146 BPM | ||
| No Jestering | Carl Malcolm | B Major | 4 | 1B | 75 BPM | ||
| Love On A Two Way Street | Barry Biggs | A♭ Major | 7 | 4B | 77 BPM | ||
| Ethiopean Eyes | Vivian Jones | G Minor | 6 | 6A | 74 BPM | ||
| Looking Over Love | Kofi | B Major | 4 | 1B | 74 BPM | ||
| Is This the Love | Jimmy Riley | A Major | 5 | 11B | 77 BPM |