"Nabucco / Act IV: Su me ... morente ...esanime" by Giuseppe Verdi, Ghena Dimitrova, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin had its release date on January 1, 1983. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Nabucco by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli. The song's track number on the album is #24 out of 44 tracks. Nabucco / Act IV: Su me ... morente ...esanime is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco / Act IV: Su me ... morente ...esanime by Giuseppe Verdi, Ghena Dimitrova, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nabucco / Act IV: Su me ... morente ...esanime being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "C'est bien là, n'est-ce pas ?" (Zuñiga, Don José) | Georges Bizet, Michel Plasson, Nicolas Cavallier, Roberto Alagna, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 84 BPM | ||
| Parsifal, Act I: Nun achte wohl und laß mich seh'n | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D♭ Major | 1 | 3B | 79 BPM | ||
| Bizet: Carmen, Act 3: "Ecoute, écoute, compagnon, écoute" (Chorus, Dancaïre, Remendado, José, Carmen, Mercédès, Frasquita) | Georges Bizet, Maria Callas/Nicolai Gedda/Nadine Sautereau/Jane Berbié/Jean-Paul Vauquelin/Maurice Maievski/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | ||
| Parsifal, Act III: Geleiten wir im bergenden Schrein | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D♭ Major | 1 | 3B | 79 BPM | ||
| Der Fliegende Holländer: Summ und Brumm, du gutes Rädchen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 2 | 11B | 80 BPM | ||
| Carmina Burana / Uf dem Anger: Reie - "Swaz hie gat umbe" - "Chume, chum geselle min" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 0 | 7B | 135 BPM | ||
| Requiem: V. Quid Sum Miser | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Christine Brewer, London Symphony Orchestra, Karen Cargill | C Minor | 0 | 5A | 82 BPM | ||
| Macbeth, Act IV: Chorus. Patria oppressa | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 1 | 3B | 79 BPM | ||
| Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: Finale. "V vashem dome! V vashem dome!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
| La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
| Carmina Burana: III. Veris leta facies | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
| L'amico Fritz / Act 1: Son pochi fiori | Pietro Mascagni, Angela Gheorghiu, Roberto Alagna, Orchester der Deutschen Oper Berlin, Alberto Veronesi | E♭ Major | 1 | 5B | 96 BPM | ||
| Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
| Bizet: Carmen, WD 31, Act 3: "Quant au douanier" (Carmen, Frasquita, Mercédès, Le Dancaïre, Le Remendado, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Les Éléments, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | ||
| Pagliacci / Act 2: "E dessa! Dei, come è bella" | Ruggero Leoncavallo, Ingvar Wixell, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | A Major | 2 | 11B | 77 BPM | ||
| Bajazzo: Andiam: din, don suona vespero | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 2 | 8B | 132 BPM | ||
| Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Ruthild Engert-Ely, Rosemarie Lang, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
| Don Carlo, Act I: Dio che nell'alma (Carlo/Rodrigo/Coro di Frati/Un frate) | Giuseppe Verdi, Luciano Pavarotti, Paolo Coni, Andrea Silvestrelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | ||
| Carmina Burana: XIX. Si puer cum puellula | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 3 | 6B | 106 BPM | ||
| La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
| Il Trovatore / Act 4: "Siam giunti: ecco la torre" | Giuseppe Verdi, Graham Clark, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 0 | 3B | 72 BPM |