Pēteris Vasks, Spīķeru String Quartet's ' "String Quartet, No. 4: II. Toccata I" was released on its scheduled release date, April 22, 2016. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vasks: String Quartets 1, 3 & 4 by Pēteris Vasks, Spīķeru String Quartet. The song's track number on the album is #2 out of 12 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, String Quartet, No. 4: II. Toccata I is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since String Quartet, No. 4: II. Toccata I by Pēteris Vasks, Spīķeru String Quartet has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With String Quartet, No. 4: II. Toccata I being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
| Snowforms | Elektra Women's Choir | E♭ Major | 0 | 5B | 68 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Within Her Arms | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| El cant dels ocells (Version for Cello & String Quartet) | Pau Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
| 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
| String Quartet No. 2, Op. 147: VII. Hymn | Alan Hovhaness, Shanghai Quartet | C Major | 0 | 8B | 95 BPM | ||
| Limestone & Felt | Caroline Shaw, Anastasia Kobekina, Mariana Doughty | F♯ Major | 2 | 2B | 142 BPM | ||
| Immortal Bach | Knut Nystedt, Schola Cantorum, Kåre Hanken | E♭ Major | 0 | 5B | 127 BPM | ||
| Miserere, Op. 44: 8. Domine Deus noster - Lento. Affenttuoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 133 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| O Virtus Sapiente | Hildegard von Bingen, Kronos Quartet | E Major | 0 | 12B | 57 BPM | ||
| O Virtus Sapientiae | Hildegard von Bingen, Marion Frère, Mar' et Balt', Balthazar Naturel | A Minor | 0 | 8A | 75 BPM | ||
| Cantabile | Pēteris Vasks, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 1 | 8A | 90 BPM | ||
| Nacht und Träume, Op. 43 No. 2, D. 827 (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 92 BPM | ||
| Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM | ||
| Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
| A Thousand Tongues | Missy Mazzoli, Emily D'Angelo, Mikayel Hakhnazaryan | D♭ Minor | 2 | 12A | 73 BPM | ||
| Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 1 | 2B | 81 BPM | ||
| Three Pieces in Olden Style: 3. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 114 BPM | ||
| Violin Concerto "Distant Light": Cadenza I | Pēteris Vasks, Vadim Gluzman, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 0 | 8B | 120 BPM | ||
| Serenade for Strings in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina | Pyotr Ilyich Tchaikovsky, United Strings of Europe, Julian Azkoul | C Major | 2 | 8B | 107 BPM | ||
| Memory of Time | Jane Antonia Cornish, Anna Elashvili, Saeunn Thorsteinsdottir, Caitlin Sullivan, Claire Bryant, Hamilton Berry | A Minor | 2 | 8A | 86 BPM | ||
| Requiem: XIV. Requiem | Alfred Schnittke, NDR Vokalensemble, Klaas Stok, Bernhard Fograscher, Fanis Gioles, Thomas Emanuel Cornelius, Michael Schröder, Sven Gätjens, Eunsol Hong, Yang-Hung Huang | F Major | 0 | 7B | 132 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | A Major | 2 | 11B | 142 BPM |