On January 8, 1999, the song "Aapan Khoriya Bahar - Dwar Puaj Geet" was released by Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Aapan Khoriya Bahar - Dwar Puaj Geet's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra's "Hathi Hathi Shor Kaile" album is number 1 out of 18. On top of that, India appears to be the country where this track was created. In terms of popularity, Aapan Khoriya Bahar - Dwar Puaj Geet is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Aapan Khoriya Bahar - Dwar Puaj Geet by Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raat Ke | Raja Rano | F♯ Major | 9 | 2B | 154 BPM | ||
| Koyal Bin Bagiya Na Sohe Raja | Kumar Satyamm | E♭ Major | 8 | 5B | 148 BPM | ||
| Dhola Ve Gal Sun | Azra Jehan | C Minor | 6 | 5A | 144 BPM | ||
| Jani Bihan Hokhe Di | Golu Raja | D♭ Minor | 6 | 12A | 90 BPM | ||
| Anaadi Nirgun Pragatali Bhavani | Sachidanand Appa | C Major | 6 | 8B | 93 BPM | ||
| Dukalan Parnasi Dayialan Sroope | Bhai Jaspreet Singh Ji | F♯ Major | 6 | 2B | 71 BPM | ||
| val Val Mari Vela Re Val | Jayesh Kharvada | B Minor | 7 | 10A | 104 BPM | ||
| Piyela Sharaab Ganja Taadi | Bharat Sharma Vyas | B♭ Minor | 6 | 3A | 158 BPM | ||
| Panihari | Kohinoor Langa | F Major | 8 | 7B | 168 BPM | ||
| Mithe Har Gun Gao | Bhai Joginder Singh Ji Riar | A Major | 8 | 11B | 76 BPM | ||
| Aaj Tera Jagrata Mata | Lakhbir Singh Lakkha | F Minor | 10 | 4A | 98 BPM | ||
| Ladki Faisandar Bhasur - Barnet | Anuradha Krishan Rastogi, Ankita Rastogi, Laxvi Rastogi, Kiran Rastogi, Sunita Rastogi | E♭ Minor | 8 | 2A | 95 BPM | ||
| Pallum Thenabhishekam | Sri Sri Vittaldas Maharaj | A♭ Minor | 4 | 1A | 157 BPM | ||
| Bahi Bana Diye | Mamta Chandarkar | F Major | 7 | 7B | 150 BPM | ||
| Murli Vale Ne Chher Liye Panghat Gayi | Anjali Jain | F Minor | 7 | 4A | 88 BPM | ||
| Kesar Ki Kyari | Seema Mishra, Mukesh Bagda | D♭ Minor | 6 | 12A | 79 BPM | ||
| Nimiya Ke Daari Maiya | Anuradha Krishan Rastogi, Ranjana Mishra, Priyanka Mishra | D♭ Major | 8 | 3B | 140 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Mo Kaliaa Khauchhi | Arabinda Muduli | B Major | 9 | 1B | 129 BPM | ||
| Uncheyan Pahada Wali Maa | Narendra Chanchal | D♭ Major | 9 | 3B | 122 BPM | ||
| Sachu Bolone Mara Shyam | Lalita Ghodadra | F Major | 7 | 7B | 107 BPM | ||
| Amma Jhankat Baadi | Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra | B Minor | 4 | 10A | 116 BPM | ||
| Dosh Mera Dyoun Ki | Satpal Dausa | D♭ Major | 6 | 3B | 95 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| Pankhida Ho Pankhida | Hemant Chauhan | F Major | 5 | 7B | 50 BPM |