Mark Brown, Goodwill's 'Horse' had a release date set for November 2, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 29 in Dance4Life by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Horse's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Horse by Mark Brown, Goodwill is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trouble in Tahiti - An Opera in Seven Scenes: Scene II: "Yes? Oh, Mister Partridge!" | Leonard Bernstein, Columbia Wind Ensemble, Mark Brown, Julian Patrick, Antonia Butler | C Major | 1 | 8B | 97 BPM | ||
| Adams: Nixon in China: Act I, Scene 1 - "Your Flight Was Smooth, I Hope?" | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 98 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| H.M.S. Pinafore / Act 1: Can I survive this overbearing | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Donald Adams, Joyce Wright, George Cook, Jean Hindmarsh, Gillian Knight, Eric Wilson-Hyde, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 3 | 5B | 130 BPM | ||
| Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 1: "Où est Blanche ?" (Le Chevalier, Le Marquis) | Francis Poulenc, Jean-Luc Viala/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Marco Zambelli/London Chorus/Kent Nagano/Richard Cooke, Kent Nagano, Orchestre De L'Opéra National De Lyon | F Major | 2 | 7B | 83 BPM | ||
| My Chevy | Sticki, Mark Brown | F♯ Major | 8 | 2B | 160 BPM | ||
| 9. Comes a train of little ladies | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 2 | 9B | 163 BPM | ||
| The Mikado / Act 1: 10. Three little maids from school are we | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 3 | 9B | 127 BPM | ||
| H.M.S. Pinafore, Act I: The Nightingale | Gilbert & Sullivan Society of Houston | A♭ Major | 1 | 4B | 89 BPM | ||
| Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
| Merry Widow Waltz | Harry Secombe, Moira Anderson | G Major | 3 | 9B | 131 BPM | ||
| My Husband Makes Movies | Karen Akers, Nine Ensemble | A♭ Major | 2 | 4B | 100 BPM | ||
| My Fair Lady: Overture | Frederick Loewe, Sinfonia Of London, John Wilson | C Major | 2 | 8B | 87 BPM | ||
| Quartet ( A Model Of Decorum And Tranquility ) | Original Broadway Cast, Harry Goz, Judy Kuhn, Paul Harman, David Carroll | G Minor | 2 | 6A | 142 BPM | ||
| Adams: Nixon in China: Act I, Scene 2 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Major | 2 | 10B | 171 BPM | ||
| H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen | Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 200 BPM | ||
| You're Gonna Love Tomorrow / Love Will See Us Through - Medley | Fred Haig, Zizi Strallen, Alex Young, Adam Rhys-Charles | F♯ Major | 4 | 2B | 81 BPM | ||
| Mussorgsky: Boris Godunov, Act 1: Drinking Song. "Kak vo gorode bylo vo Kazani" (Varlaam, Grigoriy, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | G Major | 3 | 9B | 88 BPM | ||
| Les filles de Cadix | Léo Delibes, Cecilia Bartoli, Myung-Whun Chung | E Minor | 1 | 9A | 161 BPM | ||
| Trouble in Tahiti - An Opera in Seven Scenes: Scene VI:"What a movie!" | Leonard Bernstein, Columbia Wind Ensemble, Nancy Williams, Mark Brown, Antonia Butler | E Major | 4 | 12B | 78 BPM | ||
| V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
| Afternoon in Paris | Paul West, Mark Brown | C Major | 3 | 8B | 139 BPM | ||
| Missa Barcelona: Missa Barcelona: Gloria et Gloriatropus | Anonymous, Pro Cantione Antiqua, Mark Brown | G Major | 1 | 9B | 149 BPM | ||
| Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM |