Sharon Farber's ' "Show Her In / Club" was released on its scheduled release date, October 14, 2008. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of When Nietzsche Wept (Original Motion Picture Soundtrack) by Sharon Farber. The song's track number on the album is #6 out of 22 tracks. Based on our statistics, Show Her In / Club's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Show Her In / Club by Sharon Farber has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Show Her In / Club being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Romance | Patrick Doyle | D♭ Minor | 2 | 12A | 60 BPM | ||
| The Window to Past and Future | Michael Emperiom, Emperiom, Fame's Macedonian Symphonic Orchestra, Oleg Kondratenko | C Major | 1 | 8B | 62 BPM | ||
| Pavane, Op. 50 | L'Orchestra Cinematografica Romana | C Minor | 1 | 5A | 141 BPM | ||
| Midnight in the Garden | Atli Örvarsson | F Major | 1 | 7B | 107 BPM | ||
| The Shore | Arash Safaian, Bernhard Wünsch, The Berlin Orchestra | D Major | 1 | 10B | 68 BPM | ||
| The Sacred Lake | Richard Robbins, Richard Robbins And Orchestra, Orchestra | D♭ Minor | 0 | 12A | 111 BPM | ||
| Morning | Andrew Lockington | A Minor | 1 | 8A | 74 BPM | ||
| From Here to Eternity | Stefan Kraft | D Minor | 1 | 7A | 98 BPM | ||
| Incarnation | Ana Krstajić | B Minor | 0 | 10A | 78 BPM | ||
| The Last Dinner | Rachel Portman | G Minor | 0 | 6A | 81 BPM | ||
| The Father | Johan Söderqvist | E Minor | 1 | 9A | 91 BPM | ||
| The Beach and the Past | Stephen Warbeck | G Minor | 1 | 6A | 70 BPM | ||
| Ballad No. 1 | Sharon Farber, Dzintra Erliha | A♭ Major | 3 | 4B | 80 BPM | ||
| Edward's Theme | Thomas Wander, Harald Kloser | C Minor | 0 | 5A | 87 BPM | ||
| I'll Be There / Heartbroken Daughter | Sharon Farber | D♭ Major | 1 | 3B | 138 BPM | ||
| Where Time Stands Still | Celtroya | F Major | 2 | 7B | 61 BPM | ||
| Yarmouth | Christopher Willis | G Major | 2 | 9B | 74 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| Teddy and Clara | Federico Jusid | C Major | 1 | 8B | 62 BPM | ||
| Brianna and Roger Theme | Bear McCreary | A Minor | 1 | 8A | 128 BPM | ||
| Arabia | Sharon Farber | A Minor | 2 | 8A | 56 BPM | ||
| Just Me and You | Ramin Djawadi | C Minor | 0 | 5A | 74 BPM | ||
| Brideshead Revisited: No. 2, Memory | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM |